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[null,"1.","Record Nr.",null,"UNINA9910959039003321"]
[null,null,"Titolo",null,"The lively arts of the London stage, 1675-1725 / / edited by Kathryn Lowerre"]
[null,null,"Pubbl/distr/stampa",null,"London ; ; New York : , : Routledge, , 2016"]
[null,null,"ISBN",null,"1-315-23859-4"]
[{"$nulls":4},"1-4094-5532-7"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (325 p.)"]
[null,null,"Collana",null,"Performance in the Long Eighteenth Century: Studies in Theatre, Music, Dance"]
[null,null,"Disciplina",null,"791.0942109032"]
[{"$nulls":4},"792.09421"]
[{"$nulls":4},"792/.09421"]
[null,null,"Soggetti",null,"Musical theater -- England -- London -- History -- 17th century"]
[{"$nulls":4},"Musical theater -- England -- London -- History -- 18th century"]
[{"$nulls":4},"Theater -- England -- London -- History -- 17th century"]
[{"$nulls":4},"Theater -- England -- London -- History -- 18th century"]
[{"$nulls":4},"Theater - History - 17th century - London - England"]
[{"$nulls":4},"Theater - History - 18th century - London - England"]
[{"$nulls":4},"Musical theater - History - 17th century - England - London"]
[{"$nulls":4},"Musical theater - History - 18th century - London - England"]
[{"$nulls":4},"Music, Dance, Drama & Film"]
[{"$nulls":4},"Drama"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","First published 2014 by Ashgate Publishing."]
[null,null,"Nota di contenuto",null,"Cover; Contents; List of Figures; List of Music Examples; List of Tables; Notes on Contributors; Acknowledgments; Introduction; Part IFirst, Music: Settings of Congreve's Judgment of Paris; 1 The Singers of The Judgment of Paris; 2 Harmonia Anglicana or Why Finger Failed in 'The Prize Musick'; 3The 'Prize Musick' of 1701: A Reinvestigation of the Staging Issue; Part II Mainpiece: The Lively Arts of the London Stage; 4 Composing after the Italian Manner:  The English Cantata 1700-1710; 5 Johann Pepusch, Aesthetics, and the Sister Arts"]
[{"$nulls":4},"6From Scaramouche to Harlequin: Dances 'in grotesque characters' on the London Stage7 Music, Magic, and Morality: Stage Reform and the Pastoral Mode; 8Madness 'Free from Vice': Musical Eroticism in the Pastoral World of The Fickle Shepherdess; 9 'Let all be husht': Songs in "]
[{"$nulls":4},"Praise of Anne Bracegirdle and Arabella Hunt; 10Burning and Stoic Men: Mad Rants and the Performance of Passionate Pain in the Plays of Nathaniel Lee, 1674 to 1678; 11Appreciating Bononcini's Astianatte (1727): An Italian Opera for the London Stage; Part IIIAfterpiece: Comedy, Farce, and Competition; 12 The Right to Write"]
[{"$nulls":4},"or, Colley Cibber and The Drury-Lane Monster13 'Quotation is the sincerest form of ...'?: Signature Songs as Inter-Theatrical References; Bibliography; Index"]
[null,null,null,"Sommario/riassunto","Reflecting the myriad options available to London audiences at the turn of the eighteenth century, this volume offers readers a portrait of the interrelated music, drama and dance productions that characterized this rich period. By bringing together work by scholars in different fields, this cross-disciplinary collection illuminates the interconnecting strands that shaped a vibrant theatrical world."]