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[null,"1.","Record Nr.",null,"UNINA9910957643403321"]
[null,null,"Autore",null,"Redner Gregg"]
[null,null,"Titolo",null,"Deleuze and film music : building a methodological bridge between film theory and music / / by Gregg Redner"]
[null,null,"Pubbl/distr/stampa",null,"Bristol [U.K.], : Intellect, 2011"]
[null,null,"ISBN",null,"9786612896095"]
[{"$nulls":4},"9781282896093"]
[{"$nulls":4},"1282896091"]
[{"$nulls":4},"9781841504377"]
[{"$nulls":4},"1841504378"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (204 p.)"]
[null,null,"Disciplina",null,"781.5"]
[null,null,"Soggetti",null,"Motion picture music"]
[{"$nulls":4},"Music - Philosophy and aesthetics"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. 177-186)."]
[null,null,"Nota di contenuto",null,"Front Cover; Preliminary Pages; Contents; Foreword; Chapter One: Introduction; Chapter Two: Methodology; Chapter Three: Deleuzian Sensation and Maurice Jaubert's Score for L'Atalante; Chapter Four: The Division of the One: Leonard Rosenman and the Score for East of Eden; Chapter Five: Dmitri Shostakovich's Score for Kozintsev's Hamlet; Chapter Six: Fragments of a Life: Becoming-Music/Woman In Kryzysztof Kieslowski's Blue; Chapter Seven: The Changing Conception of Space As a Delineator In Film Score Style: A Comparative Analysis of the Scores For T; Chapter Eight: Conclusion; References"]
[{"$nulls":4},"Corpus of FilmsFilms Cited In Text"]
[null,null,null,"Sommario/riassunto","The analysis of film music is emerging as one of the fastest-growing areas of interest in film studies. Yet scholarship in this up-and-coming field has been beset by the lack of a common language and methodology between film and music theory. Drawing on the philosophy of Gilles Deleuze, film studies scholar Gregg Redner provides a much-needed analysis of the problem which then forms the basis of his exploration of the function of the film score and its relation to film's other elements. Not just a groundbreaking examination of persistent difficulties in this new area of study, Deleuze and Film"]