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[null,"1.","Record Nr.",null,"UNINA9910957453203321"]
[null,null,"Titolo",null,"Art and representation : contributions to contemporary aesthetics / / edited by Ananta Ch. Sukla"]
[null,null,"Pubbl/distr/stampa",null,"Westport, Conn. : , : Praeger, , 2001"]
[{"$nulls":4},"London : , : Bloomsbury Publishing, , 2024"]
[null,null,"ISBN",null,"9798400614514"]
[{"$nulls":4},"978031300062X"]
[{"$nulls":4},"9780313000621"]
[{"$nulls":4},"031300062X"]
[null,null,"Edizione",null,"[First edition.]"]
[null,null,"Descrizione fisica",null,"1 online resource (x, 282 pages)"]
[null,null,"Disciplina",null,"111/.85"]
[null,null,"Soggetti",null,"Representation (Philosophy)"]
[{"$nulls":4},"Art - Philosophy"]
[{"$nulls":4},"Aesthetics, Modern"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. [263]-268) and indexes."]
[null,null,"Nota di contenuto",null,"Cover -- ART AND REPRESENTATION -- Contents -- Acknowledgments -- Introduction -- I -- II -- III -- IV -- V -- VI -- NOTES -- PART ONE Concepts and Faculties -- 1 Representation in Language -- PICTORIAL, PRESENTATIONAL, AND REPRESENTATIONAL FORM -- OLD AND NEW WAYS OF IDEAS -- ANOTHER IDEA OF IDEA -- FORMS OF LIFE -- WORLD PICTURES -- LANGUAGE AND THE VERY IDEA OF A CONCEPTUAL SCHEME -- SENDING ON REPRESENTATION -- NOTES -- 2 Representation and Epistemology -- THE PERFORMING ARTS -- NOTES -- 3 Political and Historical Representation -- INTRODUCTION -- REPRESENTATION -- IMPLICATIONS OF THE FOREGOING -- FOUR CONSEQUENCES -- FROM REPRESENTATIVE TO PLEBISCITARY DEMOCRACY -- WHERE TO FIND THE REMEDY FOR OUR PRESENT POLITICAL ILLS? -- CONCLUSION -- NOTES -- 4 Representation in Sacrificial Rites -- RELIGION, RITUAL, AND SACRIFICE -- THE STRUCTURALISTS -- THE PERSISTENCE OF RELIGION -- RECAPTURING THE RELIGIOUS CONTEXT OF DURKHEIMIAN THOUGHT -- SACRIFICIAL RHETORIC -- WHAT KIND OF THEORY? -- PERSISTENCE OF SACRIFICIAL RHETORIC -- NOTES -- 5 Possible World and Representation -- POSSIBLE WORLDS AND MODALITY -- POSSIBLE AND IMPOSSIBLE WORLDS -- MODAL REALISM AND CONCRETE WORLDS -- NOTES -- "]
[{"$nulls":4},"REFERENCES -- 6 Postmodernism and Representation -- POST-METAPHYSICAL REPRESENTATION: THE LOST GROUND OF CRITIQUE? -- DERRIDA DECONSTRUCTING THE CENTER -- From Logocentric to Postmodern Linguistics -- An Epochal Genealogy of Writing -- Semiotic Production -- The Conditions of Hermeneutic Suspicion -- RORTY'S ANTI-FOUNDATIONAL SKEPTICISM -- Beyond Truth and the Good -- Rorty's Epistemic Agenda -- Representation without Essences -- FOUCAULT'S POWERS OF DISCOURSE -- The Pragmatic Conditions of History -- The Constitution of Objects -- The Problem of Postfoundational Critique -- THE NECESSARY CONDITIONS OF CRITIQUE -- ADORNO'S CRITICAL REPRESENTATIONS."]
[{"$nulls":4},"Foundations without a Method -- Formal Necessity as Foundational Contradiction -- RECONSTRUCTING THE FOUNDATIONS OF REPRESENTATION AND CRITIQUE -- NOTE -- REFERENCES -- PART TWO Aesthetics and Arts -- 7 Some Current Philosophical Theories of Pictorial Representation -- NOTES -- 8 A Causal Theory of Pictorial Representation -- I -- II -- III -- IV -- V -- ACKNOWLEDGMENT -- NOTES -- 9 Painting, Photography, and Representation -- MATCHING -- SIMULATION -- THE INTENTIONALITY OF PICTURES -- REPRESENTATION, PAINTING, AND PHOTOGRAPHY -- CONCLUSION -- NOTES -- 10 Representation in Literatur -- I -- II -- III -- IV -- NOTES -- 11 Musical Representation -- THE MUSICAL REPRESENTATION OF SOUNDS -- MUSIC AND DYNAMIC PROCESSES -- DRAMATIC MUSIC AND SONGS -- THE REPRESENTATION OF EMOTIONS IN MUSIC -- ABSTRACT INSTRUMENTAL MUSIC -- MUSIC WITH DESCRIPTIVE TITLES AND PROGRAMS -- REPRESENTATIONS OF MUSIC WITHIN MUSIC -- CONCLUSION -- NOTE -- 12 Representation in Dance: Reference and Resemblance -- REFERENCE -- REPRESENTATION -- REPRESENTATION AND EXPRESSION -- NOTES -- 13 Film and Representation -- TRANSPARENT REALISM -- REPRESENTATIONALISM -- THE LOGIC OF SEEING -- CONCLUSION -- NOTES -- 14 Representation in Painting and Drama: Arguments from Indian Aesthetics -- PREFACE -- INTRODUCTION -- REPRESENTATION AS ILLUSION -- REPRESENTATION AS ARTIFICIAL REPRODUCTION/REPLICA/RE-PRESENTATION -- REPRESENTATION AS PERFORMANCE/DETERMINATE PRESENTATION OF THE INDETERMINATE/ILLUSTRATIVE TOKEN OF TYPE -- CONCLUSION -- NOTES -- 15 Representation, Representativeness, and Non-Representational Art -- I -- II -- III -- IV -- V -- VI -- VII -- NOTES -- Selected Bibliography -- Author/Name Index -- Term/Concept Index -- About the Editor and Contributors."]
[null,null,null,"Sommario/riassunto","Concentrating on scholarship over the past four decades, this multidisciplinary approach to representation considers conceptual issues about representation and applies different theories to various arts. Following an introduction that traces the historical debates surrounding the concept of representation, Part One focuses on representation and language, epistemology, politics and history, sacrificial rites, possible world and postmodernism. Part Two applies current theories to painting, photography, literature, music, dance, and film. Writings highlight the vital role representation plays in the formation and appreciation of major genres of art. This work will appeal to art philosophy and aesthetics scholars and to cultural studies and linguistic scholars. Rather than advocate certain theories, the essays illustrate the inherent complexities of representation."]