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[null,"1.","Record Nr.",null,"UNINA9910156312603321"]
[null,null,"Autore",null,"Ewen Jens"]
[null,null,"Titolo",null,"Erzahlter Pluralismus : Thomas Manns Ironie als Sprache der Moderne / / Jens Ewen"]
[null,null,"Pubbl/distr/stampa",null,"Frankfurt am Main, [Germany] : , : Vittorio Klostermann, , 2017"]
[{"$nulls":4},"©2017"]
[null,null,"Edizione",null,"[1., 2016]"]
[null,null,"Descrizione fisica",null,"1 online resource (293 pages)"]
[null,null,"Collana",null,"Thomas-Mann-Studien"]
[null,null,"Disciplina",null,"833.912"]
[null,null,"Soggetti",null,"Pluralism"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","PublicationDate: 20161231"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,null,"Sommario/riassunto","Long description: Die Einschätzung, dass Thomas Manns Texte von Ironie geprägt sind, hat deren Rezeption von Anfang an begleitet. Auffällig ist aber, dass sich seitdem kein allgemeiner Forschungskonsens über Begriff und Funktion der Ironie in Thomas Manns Werk etabliert hat. In dieser Arbeit wird der Versuch unternommen, einen möglichst präzisen und metasprachlich explizierten Ironiebegriff zu erarbeiten, der die Grundlage für die Interpretation von ausgewählten Texten Thomas Manns bildet. Die zentrale These der Untersuchung lautet, dass die Ironie im Werk Thomas Manns als Reaktion auf wichtige Elemente des gesellschaftlichen Modernisierungsprozesses verstanden werden kann. Die Ironie ist für Thomas Mann eine Möglichkeit, das Spannungsfeld zwischen Wahrheitspluralismus und Einheitssehnsucht ästhetisch zu bearbeiten. In diesem Sinne wird hier auch eine Antwort auf die häufig gestellte Frage nach der Modernität von Manns Werk gegeben."]
[null,"2.","Record Nr.",null,"UNINA9910957060303321"]
[null,null,"Titolo",null,"Reasoning in measurement / / edited by Nicola MÖSSNER and Alfred Nordmann"]
[null,null,"Pubbl/distr/stampa",null,"London ; ; New York : , : Routledge, , 2017"]
[null,null,"ISBN",null,"1-351-96643-X"]
[{"$nulls":4},"1-78144-871-X"]
[{"$nulls":4},"1-351-96644-8"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (275 pages) : illustrations"]
[null,null,"Collana",null,"History and Philosophy of Technoscience ; ; 9"]
[null,null,"Disciplina",null,"530.801"]
[null,null,"Soggetti",null,"Measurement - History"]
[{"$nulls":4},"Metrology - History"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references at the end of each chapters and index."]
[null,null,"Nota di contenuto",null,"pt. I. Founding figures -- part II. Images as measurements -- part III. Measuring the immeasurable -- part IV. Calibrating mind and world."]
[null,null,null,"Sommario/riassunto","This collection offers a new understanding of the epistemology of measurement. The interdisciplinary volume explores how measurements are produced, for example, in astronomy and seismology, in studies of human sexuality and ecology, in brain imaging and intelligence testing. It considers photography as a measurement technology and Henry David Thoreau's poetic measures as closing the gap between mind and world. By focusing on measurements as the hard-won results of conceptual as well as technical operations, the authors of the book no longer presuppose that measurement is always and exclusively a means of representing some feature of a target object or entity. Measurement also provides knowledge about the degree to which things have been standardized or harmonized - it is an indicator of how closely human practices are attuned to each other and the world."]