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[null,"1.","Record Nr.",null,"UNINA9910956766203321"]
[null,null,"Autore",null,"Anderton Abby"]
[null,null,"Titolo",null,"Rubble Music : Occupying the Ruins of Postwar Berlin, 1945–1950 / / Abby Anderton"]
[null,null,"Pubbl/distr/stampa",null,"Bloomington, Indiana : , : Indiana University Press, , [2019]"]
[{"$nulls":4},"©2019"]
[null,null,"ISBN",null,"0-253-04244-5"]
[{"$nulls":4},"0-253-04243-7"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (198 pages)"]
[null,null,"Disciplina",null,"780.94315509044"]
[null,null,"Soggetti",null,"Nachkriegszeit"]
[{"$nulls":4},"Musikleben"]
[{"$nulls":4},"Klassische Musik"]
[{"$nulls":4},"Music"]
[{"$nulls":4},"Music - Germany - Berlin - 20th century - History and criticism"]
[{"$nulls":4},"Criticism, interpretation, etc."]
[{"$nulls":4},"Berlin"]
[{"$nulls":4},"Germany Berlin"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Introduction -- Berlin soundscapes of defeat and occupation -- Occupied music: the Berlin Philharmonic and the American military -- Rubble opera after 1945: East Berlin's Staatsoper and West Berlin's Städtische Oper -- Embodied and disembodied voices: listening to sonic ruins -- Berlin 1945: toward a ruin aesthetic in music -- Conclusion."]
[null,null,null,"Sommario/riassunto","As the seat of Hitler's government, Berlin was the most frequently targeted city in Germany for Allied bombing campaigns during World War II. Air raids shelled celebrated monuments, left homes uninhabitable, and reduced much of the city to nothing but rubble. After the war's end, this apocalyptic landscape captured the imagination of artists, filmmakers, and writers, who used the ruins to engage with themes of alienation, disillusionment, and moral ambiguity. In Rubble Music , Abby Anderton explores the classical music culture of postwar Berlin, analyzing archival documents, period sources, and musical scores to identify the sound of civilian suffering "]
[{"$nulls":4},"after urban catastrophe. Anderton reveals how rubble functioned as a literal, figurative, psychological, and sonic element by examining the resonances of trauma heard in the German musical repertoire after 1945. With detailed explorations of reconstituted orchestral ensembles, opera companies, and radio stations, as well as analyses of performances and compositions that were beyond the reach of the Allied occupiers, Anderton demonstrates how German musicians worked through, cleared away, or built over the debris and devastation of the war."]
[null,"2.","Record Nr.",null,"UNINA9910831599703321"]
[null,null,"Titolo",null,"Polemische Öffentlichkeiten : Zur Geschichte und Gegenwart von Meinungskämpfen in Literatur, Medien und Politik / Elke Dubbels, Jürgen Fohrmann, Andrea Schütte"]
[null,null,"Pubbl/distr/stampa",null,"Bielefeld, : transcript Verlag, 2021"]
[null,null,"ISBN",null,"9783839454718"]
[{"$nulls":4},"3839454719"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (253 pages)"]
[null,null,"Collana",null,"Lettre"]
[null,null,"Classificazione",null,"AP 14150"]
[null,null,"Disciplina",null,"302.23"]
[null,null,"Soggetti",null,"Polemik; Öffentlichkeit; Literatur; Medien; Politik; Diskurs; Rationalisierung; Digitalisierung; Soziale Medien; Populismus; Kommunikation; Germanistik; Allgemeine Literaturwissenschaft; Kulturgeschichte; Kulturwissenschaft; Literaturwissenschaft; Polemics; Public Sphere; Literature; Media; Politics; Discourse; Scientific Management; Digitalization; Social Media; Populism; Communication; German Literature; Literary Studies; Cultural History; Cultural Studies"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Frontmatter    1 Inhalt    5 Einleitung    7 Lenz contra Wieland. Polemik als Theorie der Öffentlichkeit    21 Satirische Überformung, polemische Bloßstellung: Die Publizistik der Mainzer Republik im Kontext der Kämpfe zwischen Aufklärung und Gegenaufklärung    47 Gattungspolemik in Heinrich Heines »Geständnissen«    75 Das Manifest als (polemische) Öffentlichkeit. Adresse und Unadressierbarkeit    99 Polemische Aktivitäten. Karl Kraus und Stefanie Sargnagel    119 »Kampf um Emma«. Polemik und feministische Öffentlichkeiten    141 »Wer ist hier das Arschloch?« Print- oder Netzpolemik?    165 Popularität und Populismus    185 Öffentlichkeit als selbsterzeugte Unsicherheit. Desinformation, Populismus und die Frage der Legitimation    205 Polemische Öffentlichkeit und die Öffentlichkeit der Literatur    223 Autor*innenverzeichnis    249"]
[null,null,null,"Sommario/riassunto","Bringt die öffentliche politische Diskussion eher einen Polarisierungs- als einen Rationalisierungseffekt hervor? Diese Frage ist insbesondere angesichts der jüngsten Entwicklungen im digitalen Raum virulent geworden. Polemische Öffentlichkeiten sind jedoch nicht erst ein Phänomen unserer Gegenwart, sondern haben eine lange Geschichte. Diese nehmen die Beiträger*innen des Bandes in der Zeitspanne vom "]
[{"$nulls":4},"Ende des 18. Jahrhunderts bis in unsere Gegenwart in den Blick und fokussieren dabei die Interferenz zwischen politischer und literarischer Kommunikation. Erst vor diesem historischen Hintergrund wird deutlich, was an den aggressiven öffentlichen Meinungskämpfen unserer Tage neu ist - und was nicht."]