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[null,"1.","Record Nr.",null,"UNICASSBL0112596"]
[null,null,"Autore",null,"Lejeune, Claire"]
[null,null,"Titolo",null,"L'atelier / Claire Lejeune"]
[null,null,"Pubbl/distr/stampa",null,"Bruxelles, : Le Cormier, [1979?]"]
[null,null,"Descrizione fisica",null,"167 p. ; 24 cm"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Ed. di 250 esempl. ."]
[null,"2.","Record Nr.",null,"UNINA9910956207903321"]
[null,null,"Titolo",null,"Towards a typology of poetic forms : from language to metrics and beyond / / edited by Jean-Louis Aroui, Andy Arleo"]
[null,null,"Pubbl/distr/stampa",null,"Philadelphia, PA ; ; Amsterdam, : John Benjamins Pub. Company, c2009"]
[null,null,"ISBN",null,"9786612312328"]
[{"$nulls":4},"9781282312326"]
[{"$nulls":4},"1282312324"]
[{"$nulls":4},"9789027289049"]
[{"$nulls":4},"9027289042"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"xiv, 428 p. : ill"]
[null,null,"Collana",null,"Language faculty and beyond ; ; 2"]
[null,null,"Disciplina",null,"808.1"]
[null,null,"Soggetti",null,"Poetics"]
[{"$nulls":4},"Versification"]
[{"$nulls":4},"Typology (Linguistics)"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Introduction: Proposals for metrical typology / Jean-Louis Aroui -- Part I: Isochronous metrics. Textsetting as constraint conflict / Bruce Hayes -- Comparing musical textsetting in French and in English songs / François Dell & John Halle -- Bavarian Zwiefache: investigating the interface between rhythm, metrics and song / Patrizia Noel Aziz Hanna & Robert Vetterle -- Natural versification in French and German counting-out rhymes / Andreas Dufter & Patrizia Noel Aziz Hanna -- Minimal chronometric forms: on the durational metrics of 2-2-stroke groups / Benoît de Cornulier -- Symmetry and children's poetry in sign languages / Marion Blondel & Christopher Miller -- Part II: Prosodic metrics. Pairs and triplets: a theory of metrical verse / Nigel Fabb & Morris Halle -- Generative linguistics and Arabic metrics / Bruno Paoli -- On the meter of Middle English alliterative verse / Donka Minkova -- The Russian Auden and the Russianness of Auden: meaning and form in a translation by Brodsky / Nila Friedberg -- Towards a universal definition of the caesura / Marc Dominicy & Mihai Nasta -- Metrical alignment / Kristin Hanson -- Rephrasing line-end restrictions / Carlos Piera -- Part III: Para-metrical phenomena. Pif paf poof: Ablaut reduplication in children's counting-out rhymes / Andy Arleo -- The phonology of elision and metrical figures in Italian versification / "]
[{"$nulls":4},"Oreste Floquet -- Part IV: Macrostructural metrics. Convention and parody in the rhyming of Tristan Corbière / Dominique Billy -- The metrics of Sephardic song / José Domínguez Caparrós -- A rule of metrical uniformity in old Hungarian poetry / Iván Horváth -- Metrical structure of the European sonnet / Jean-Louis Aroui."]
[null,null,null,"Sommario/riassunto","Metrics is often defined as a discipline that concerns itself with the study of meters. In this volume the term is used in a broader sense that more or less coincides with the traditional notion of \"versification\". Understood this way, metrics is an eminently complex object that displays variation over time and in space, that concerns forms of a great variety and with different statuses (meters, rhymes, stanzas, prescribed forms, syllabification rules, nursery rhymes, slogans, musical textsetting, ablaut reduplication etc.), and that as a cultural manifestation is performed in a variety of ways (sung, chanted, spoken, read) that can have direct consequences on how it is structured. This profusion of forms is thought to correspond, at the level of perception, to a limited number of cognitive mechanisms that allow us to perceive and to represent regularly iterating forms. This volume proposes a relatively coherent overall vision by distinguishing four main families of metrical forms, each clearly independent of the others and amenable to separate typologies."]