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[null,"1.","Record Nr.",null,"UNISA990000219900203316"]
[null,null,"Titolo",null,"Interaction of gases with surfaces : detailed description of elementaryprocesses and kinetics / A. V. Bogdanov ... [et al.]"]
[null,null,"Pubbl/distr/stampa",null,"Berlin [etc.] : Springer-Verlag, copyr. 1995"]
[null,null,"ISBN",null,"3-540-58802-7"]
[null,null,"Descrizione fisica",null,"132 p. : ill. ; 24 cm"]
[null,null,"Collana",null,"Lecture notes in physics. New series m, Monographs ; 25"]
[null,null,"Disciplina",null,"5337"]
[null,null,"Collocazione",null,"530 LNPM (25)"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910956180303321"]
[null,null,"Autore",null,"Heller Steven"]
[null,null,"Titolo",null,"Stop, think, go, do : how typography and graphic design influence behavior / / Steven Heller and Mirko Ilić"]
[null,null,"Pubbl/distr/stampa",null,"Beverly, Mass., : Rockport Publishers, 2012"]
[null,null,"ISBN",null,"9781610583893"]
[{"$nulls":4},"1610583892"]
[null,null,"Edizione",null,"[1st edition]"]
[null,null,"Descrizione fisica",null,"1 online resource (225 p.)"]
[null,null,"Disciplina",null,"686.2/2"]
[null,null,"Soggetti",null,"Graphic design (Typography) - Social aspects"]
[{"$nulls":4},"Graphic design (Typography) - History - 21st century"]
[{"$nulls":4},"Graphic arts - Social aspects"]
[{"$nulls":4},"Graphic arts - History - 21st century"]
[{"$nulls":4},"Commercial art - Social aspects"]
[{"$nulls":4},"Commercial art - History - 21st century"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,"Nota di contenuto",null,"\"\"Cover\"\"; \"\"Title\"\"; \"\"CONTENTS\"\"; \"\"INTRODUCTION: STOP, GO, READ THIS!\"\"; \"\"CHAPTER 1 INFORM: Graphic design focuses our eyes and mind on what is already instinctively hardwired.\"\"; \"\"CHAPTER 2 ADVOCATE: The language of advocacy has a common goal: alter behavior and act upon instincts, whatever the outcome may be.\"\"; \"\"CHAPTER 3 PLAY: Play adds dimension to design, enabling the viewer to have more active participation in it.\"\"; \"\"CHAPTER 4 CAUTION: Cautionary messages force the receiver to go somewhere or do something to avoid dangerous consequences.\"\""]
[{"$nulls":4},"\"\"CHAPTER 5 ENTERTAIN: Much graphic design cannot afford neutrality it must grab attention in crowded environments.\"\"; \"\"CHAPTER 6 EXPRESS: A manifesto should be a declaration of war against complacency. At the very least it should trigger thinking.\"\"; \"\"CHAPTER 7 EDUCATE: Graphic design arguably is itself a grand portal to the process of education.\"\"; \"\"CHAPTER 8 TRANSFORM: Transformation is not more than making the real abstract and vice versa. It is about taking something familiar and making it serendipitous.\"\"; \"\"ABOUT THE AUTHORS\"\"; \"\"ACKNOWLEGMENTS\"\""]
[null,null,null,"Sommario/riassunto","This revolutionary guide is not only the first to look at how typography in design creates a call to action, but it also explores type and image as "]
[{"$nulls":4},"language."]