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[null,"1.","Record Nr.",null,"UNINA9910131219803321"]
[null,null,"Autore",null,"Arbour Rose-Marie"]
[null,null,"Titolo",null,"Identification de l'avant-garde et identité de l'artiste : les femmes et le groupe automatiste au Québec (1941-1948) / / Rose-Marie Arbour"]
[null,null,"Pubbl/distr/stampa",null,"Chicoutimi : , : J.-M. Tremblay, , 2007"]
[null,null,"ISBN",null,"1-4123-5835-3"]
[null,null,"Descrizione fisica",null,"1 online resource (34 pages)"]
[null,null,"Collana",null,"Classiques des sciences sociales"]
[null,null,"Disciplina",null,"700"]
[null,null,"Soggetti",null,"Art"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Introduction -- 1. Position des femmes sur la scène artistique au Québec de l'entre-deux-guerres à 1950 -- 2. Les jeunes artistes autour de Borduas -- 3. Automatisme et multidisciplinarité: la contribution des femmes au mouvement automatiste du Québec -- 4. La notion de rupture/transmission -- 5. La marginalisation des femmes artistes automatistes: un fait de société."]
[null,null,null,"Sommario/riassunto","This essay examines the status of women artists directly or indirectly related to the Automatist Movement in Quebec during the 1940s. Some of these women were signatories of the group's notorious Refus global (1948) manifesto, which marked a turning point in radical modern thought in Quebec. The author first re-contextualizes the contribution of women artists to the art vivant milieu during the inter-war years; she then discusses an important aspect of radical modernity (avant-garde) as represented by the Automatists (1942-54): the plurality of disciplines and the trans-disciplinary practice, characteristic of nearly all the women artists involved in this movement. In conclusion, she offers an analysis of the significance of the signing of the Refus global for women artists: had they not done so, most of them would not be recognized as part of the history of this artistic and literary avant-garde movement, let alone the history of art in general.   This study reveals the extent to which avant-garde activity relies on theoretical thought and writing to become a part of history. That few women have made their mark in artistic avant-garde movements has been attributed, in part, to the fact that they have written little, if at all. The same would no doubt be true of the women artists discussed here had they not signed their name to the Refus global. A number of them would undoubtedly have been acclaimed even without this signatory "]
[{"$nulls":4},"consecration, but recognition would have come at a later date and in another context."]
[null,"2.","Record Nr.",null,"UNINA9910956036303321"]
[null,null,"Autore",null,"Korkmaz Ramazan <1962->"]
[null,null,"Titolo",null,"Endangered Languages of the Caucasus and Beyond"]
[null,null,"Pubbl/distr/stampa",null,"[S.l.] : , : Brill Academic Publishers : , : Brill, , 2016"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (307 pages)"]
[null,null,"Collana",null,"Languages of Asia ; ; 15"]
[null,null,"Disciplina",null,"494.35"]
[null,null,"Soggetti",null,"Caucasus"]
[{"$nulls":4},"Caucasian languages"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references at the end of each chapters and index."]
[null,null,"Nota di contenuto",null,"Preliminary Material -- Consequences of Russian Linguistic Hegemony in (Post-)Soviet Colonial Space / Gregory D. S. Anderson -- The Contacts between the Ossetians and the Karachay-Balkars, According to V. I. Abaev and Marrian Ideology / Johnny Cheung -- Why Caucasian Languages? / Bernard Comrie -- International Research Collaboration on Documentation and Revitalization of Endangered Turkic Languages in Ukraine: Crimean Tatar, Gagauz, Karaim, Qrymchak and Urum Experience / İryna M. Dryga -- Cases-Non-cases: At the Margins of the Tsezic Case System / Diana Forker -- Language Endangerment in the Balkans with Some Comparisons to the Caucasus / Victor A. Friedman -- Instilling Pride by Raising a Language’s Prestige / George Hewitt -- Unwritten Minority Languages of Daghestan: Status and Conservation Issues / Zaynab Alieva and Madzhid Khalilov -- Report on the Fieldwork Studies of the Endangered Turkic Languages / Yong-Sŏng Li -- Empire, Lingua Franca, Vernacular: The Roots of Endangerment / Nicholas Ostler -- Endangered Turkic Languages from China / Mehmet Ölmez -- The Death of a Language: The Case of Ubykh / A. Sumru Özsoy -- Diversity in Dukhan Reindeer Terminology / Elisabetta Ragagnin -- How Much Udi is Udi? / Wolfgang Schulze -- Language Contact in Anatolia: The Case of Sason Arabic / Eser Erguvanlı Taylan -- Language and Emergent Literacy in Svaneti / Kevin Tuite -- The Internet as a Tool for Language Development and Maintenance? The Case of Megrelian / Karina Vamling -- Linguistic Topography and Language Survival / George van Driem -- And So Flows History / Alexander Vovin -- Index."]
[null,null,null,"Sommario/riassunto","According to UNESCO, it is believed that at least half of the nearly "]
[{"$nulls":4},"7,000 languages spoken around the world will cease to be used within the next 100 years. If this issue is neglected, people will lose not only their cultural heritage but also invaluable understandings about the history of all humankind. Endangered Languages of the Caucasus and Beyond includes the manuscripts of 19 papers that were presented at the 1st International CUA Conference on Endangered Languages, organized by the Caucasus University Association (CUA), at Ardahan, Turkey, on 13 to 16 October 2014. The articles address issues such as the state of the field of documentation, conservation and revitalization of endangered languages with special reference to the endangered languages in the Caucasus region and beyond."]