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[null,"1.","Record Nr.",null,"UNINA9910955056703321"]
[null,null,"Autore",null,"Parry Amie Elizabeth <1964->"]
[null,null,"Titolo",null,"Interventions into modernist cultures : poetry from beyond the empty screen / / Amie Elizabeth Parry"]
[null,null,"Pubbl/distr/stampa",null,"Durham, NC, : Duke University Press, 2007"]
[null,null,"ISBN",null,"9780822389866"]
[{"$nulls":4},"082238986X"]
[null,null,"Descrizione fisica",null,"1 online resource (202 p.)"]
[null,null,"Collana",null,"Perverse modernities"]
[null,null,"Disciplina",null,"811/.5409"]
[null,null,"Soggetti",null,"American poetry - 20th century - History and criticism"]
[{"$nulls":4},"Chinese poetry - Taiwan - History and criticism"]
[{"$nulls":4},"Comparative literature - American and Chinese"]
[{"$nulls":4},"Comparative literature - Chinese and American"]
[{"$nulls":4},"Modernism (Literature) - United States"]
[{"$nulls":4},"Modernism (Literature) - Taiwan"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. [171]-180) and index."]
[null,null,"Nota di contenuto",null,"Introduction -- 1 Canonical Modernisms, Minor Modernisms, and the Cultural Politics of Fragmentation -- One. The Historicity of the Fragment: Toward a Critical Comparativism -- Two. \"Completely Painted Over but Painted Full of Empty Spaces\": Stein's American Allegories and the End of Progress -- Three. \"Learning a Lesson in the Superficial Song Lyrics\": Hsia Yu's \"Underground\" Poetry -- Four. \"For the Other Overlapping Time\": Pound's Ideogramic Universalism and Cha's Countermodernist Translation -- Conclusion. The Cultural Uses of an Interventionary Poetics."]
[null,null,null,"Sommario/riassunto","A comparative analysis of the cultural politics of modernist writing in Taiwan and the United States, as well as in immigrant Asian American writing."]