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[null,"1.","Record Nr.",null,"UNINA9910953561503321"]
[null,null,"Autore",null,"Delfino Gianluca"]
[null,null,"Titolo",null,"Time, History, and Philosophy in the Works of Wilson Harris / Gianluca Delfino, Koray Melikoglu"]
[null,null,"Pubbl/distr/stampa",null,"Hannover, : ibidem, 2014"]
[null,null,"ISBN",null,"3-8382-6265-4"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (229 p.)"]
[null,null,"Collana",null,"Studies in English Literatures"]
[null,null,"Disciplina",null,"813"]
[null,null,"Soggetti",null,"psychology"]
[{"$nulls":4},"author"]
[{"$nulls":4},"20th century"]
[{"$nulls":4},"Interpretation"]
[{"$nulls":4},"Caribbean literature"]
[{"$nulls":4},"Guyana"]
[{"$nulls":4},"colonialism"]
[{"$nulls":4},"20. century"]
[{"$nulls":4},"criticism"]
[{"$nulls":4},"historiography"]
[{"$nulls":4},"anthropology"]
[{"$nulls":4},"text analysis"]
[{"$nulls":4},"novel"]
[{"$nulls":4},"English literature"]
[{"$nulls":4},"philosophy"]
[{"$nulls":4},"literature"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,"Nota di contenuto",null,"\"\"Table of Contents\"\"; \"\"Acknowledgements\"\"; \"\"Preface\"\"; \"\"1 â€? A Coherent Design: An Introduction\"\"; \"\"1.1 C.L.R. Jamesâ€?s Heideggerian Interpretation\"\"; \"\"1.2 Hegelian Dialectics and Wilson Harrisâ€?s Novels\"\"; \"\"1.3 Imaginative Poeticism: A Caribbean Perspective\"\"; \"\"1.3.1 Consciousness and Ego Dynamics\"\"; \"\"1.3.2 Poetics of Consciousness\"\"; \"\"1.4 Gnostic Tradition and Faustian Themes\"\"; \"\"2 â€? Time and History \"\"; \"\"2.1 Historiography and Contemporary Philosophies of History\"\"; \"\"2.1.1 Western Historiography and Authoritarian Narratives\"\"; \"\"2.1.2 Non-Western Traditions of "]
[{"$nulls":4},"History\"\""]
[{"$nulls":4},"\"\"3 â€? Jungian and Pre-Modern Influences\"\"\"\"3.1 Jungian Influences\"\"; \"\"3.2 Archetypal Images\"\"; \"\"3.2.1 Archetypal Images in Earlier Novels\"\"; \"\"3.2.2 Doctor Faustus and The Infinite Rehearsal\"\"; \"\"3.2.3 Jonestown and the Shape of Evil\"\"; \"\"3.2.4 The Mask of the Beggar and Ulyssean Images\"\"; \"\"3.3 Archetypes, the Collective Unconscious, the Worldâ€?s Unconscious and the Quest for Unity\"\"; \"\"4 â€? Pre-Columbian Legacies\"\"; \"\"4.1 Amerindians\"\"; \"\"4.1.1 Guyanese Society\"\"; \"\"4.1.2 Amerindians: Historical and Anthropological information\"\"; \"\"4.1.3 Harrisâ€?s Main Anthropological Sources\"\""]
[{"$nulls":4},"\"\"4.1.4 The Amerindian Legacy: An Imaginative Reading\"\"\"\"4.2 Meso-American and South-American Main Civilisations\"\"; \"\"4.2.1 The Maya\"\"; \"\"4.2.2 The Inca and Atahualpan Void\"\"; \"\"5 â€? Conclusions: The Perspective of Living Landscapes\"\"; \"\"Bibliography\"\""]
[null,null,null,"Sommario/riassunto","Gianluca Delfino’s study is based on the assumption that Wilson Harris’s works as a whole show a remarkable unity of thought rooted in their author’s complex imagination. As a valuable contribution to Caribbean Literature and Philosophy, Harris’s imaginative approach to reality is discussed in relation to the categories of history and time with reference to several novels, from Palace of The Peacock to The Mask of the Beggar, with a special focus on The Infinite Rehearsal, Jonestown and The Dark Jester, spanning more than forty years of his vast literary production, encompassing critical perspectives ranging from African philosophy to Jungian readings through historiography and anthropology. As a result, the cross-cultural quality of Harris’s thought emerges as a healing outcome of the traumatic colonial encounter, bringing together elements of Amerindian, African and European origin in an ongoing dialogue with time, nature, and the psyche. The outcome of an extensive research into Harris’s world, Delfino’s study comes as a contribution to late Hena Maes-Jelinek’s critical enterprise by expanding philosophical and psychological readings, with the addition of anthropological perspectives that appeal to those who were captured by Harris’s intricacy and rescued by Maes-Jelinek’s illuminating interpretations. The attempt at the reconstruction of a unifying frame around Harris’s body of work suggests a new way of looking at one of the Caribbean’s most controversial authors."]