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[null,"1.","Record Nr.",null,"UNINA9910953235003321"]
[null,null,"Autore",null,"Callaghan Dympna"]
[null,null,"Titolo",null,"Shakespeare without women : representing gender and race on the Renaissance stage / / Dympna Callaghan"]
[null,null,"Pubbl/distr/stampa",null,"London ; ; New York, : Routledge, 2000"]
[null,null,"ISBN",null,"1-134-63311-4"]
[{"$nulls":4},"1-134-63312-2"]
[{"$nulls":4},"1-280-31743-4"]
[{"$nulls":4},"0-203-45772-2"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"xiii, 219 p. : ill"]
[null,null,"Collana",null,"Accents on Shakespeare"]
[null,null,"Disciplina",null,"822.3/3"]
[null,null,"Soggetti",null,"Theater - Casting - England - History - 16th century"]
[{"$nulls":4},"Theater - Casting - England - History - 17th century"]
[{"$nulls":4},"Feminism and theater - England - History"]
[{"$nulls":4},"Female impersonators - England - History"]
[{"$nulls":4},"Theater and society - England - History"]
[{"$nulls":4},"Africans in literature"]
[{"$nulls":4},"Black people in literature"]
[{"$nulls":4},"Women in literature"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. [187]-209) and index."]
[null,null,"Nota di contenuto",null,"chapter Introduction -- Cleopatra had a way with her -- chapter 1 And all is semblative a woman's part -- Body politics and Twelfth Night -- chapter 2 The castrator's song -- Female impersonation on the early modern stage -- chapter 3 Othello was a white man: Properties of race on -- Properties of race on Shakespeare's stage / Shakespeare's stage -- chapter 4 Irish memories in -- chapter 5 What is an audience?."]
[null,null,null,"Sommario/riassunto","Shakespeare Without Women is a controversial study of female impersonation and the connections between dramatic and political representation in Shakespeare's plays."]