{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":1,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":22,"n_cols":5,"rows_kept":22,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[4,2,4,3],[9,2,9,3],[10,2,10,3],[11,2,11,3],[12,2,12,3],[16,2,16,3],[17,2,17,3],[20,2,20,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910901888403321"]
[null,null,"Autore",null,"Parncutt Richard <1957->"]
[null,null,"Titolo",null,"Psychoacoustic foundations of major-minor tonality / / Richard Parncutt"]
[null,null,"Pubbl/distr/stampa",null,"Cambridge, Massachusetts : , : The MIT Press, , 2024"]
[null,null,"ISBN",null,"9780262377362"]
[{"$nulls":4},"0262377365"]
[{"$nulls":4},"9780262377379"]
[{"$nulls":4},"0262377373"]
[{"$nulls":4},"9780262547352"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (456 pages)"]
[null,null,"Disciplina",null,"781.2/6"]
[null,null,"Soggetti",null,"Tonality"]
[{"$nulls":4},"Psychoacoustics"]
[{"$nulls":4},"Chords (Music)"]
[{"$nulls":4},"Musical intervals and scales"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Part I. Interdisciplinary Introduction. Definitions ; Approaches ; Rudiments -- II. Extra-Musical Foundations. Metaphysics ; Auditory Scene Analysis ; Auditory Sensitivity -- III. Musical Foundations. Matthew Shirlaw ; Hugo Riemann ; Diverse Epistemologies ; Scales and Intervals ; Chant and the Leading Tone ; Notation, Accidentals, and Enharmonics -- IV. Perception of Sonority. Pitch ; Consonance and Dissonance ; The Root of a Chord ; Spectral Pitch in Chords ; Jazz Harmony -- V. Perception of Progression. Pitch Commonality ; Tonality ; Progression and Modulation ; Structural Cognition -- VI. The Big Picture. Theoretic Evaluation ; Universals and Diversity."]
[null,null,null,"Sommario/riassunto","\"A leading music psychologist and theorist explains how Major-Minor Tonality came to assume its dominant place within music composition\"--"]