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[null,"1.","Record Nr.",null,"UNINA9910820332803321"]
[null,null,"Autore",null,"Kemp Simon <1973->"]
[null,null,"Titolo",null,"French fiction into the twenty-first century : the return to the story / / Simon Kemp"]
[null,null,"Pubbl/distr/stampa",null,"Cardiff, [Wales] : , : University of Wales Press, , 2010"]
[{"$nulls":4},"©2010"]
[null,null,"ISBN",null,"1-299-20070-2"]
[{"$nulls":4},"0-7083-2274-3"]
[null,null,"Descrizione fisica",null,"1 online resource (224 p.)"]
[null,null,"Collana",null,"French and Francophone Studies"]
[null,null,"Disciplina",null,"843.008032441"]
[null,null,"Soggetti",null,"French fiction - 20th century"]
[{"$nulls":4},"French fiction - 21st century"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Series Editors' Preface; Introduction; Annie Ernaux and the Narrating of Time; Pascal Quignard and the Fringes of Narrative; Marie Darrieussecq and the Voice of the Mind; Jean Echenoz and the uses of digression; Patrick Modiano and the Problem of Endings; The Return to the Story; Notes; Select Bibliography; Index"]
[null,null,null,"Sommario/riassunto","This book examines contemporary French literature in the light of a widely-held critical notion that it exists 'in the wake' of a period in which avant-garde experimental literature and postmodern writing-about-writing held sway."]
[null,"2.","Record Nr.",null,"UNINA9910901888403321"]
[null,null,"Autore",null,"Parncutt Richard <1957->"]
[null,null,"Titolo",null,"Psychoacoustic foundations of major-minor tonality / / Richard Parncutt"]
[null,null,"Pubbl/distr/stampa",null,"Cambridge, Massachusetts : , : The MIT Press, , 2024"]
[null,null,"ISBN",null,"9780262377362"]
[{"$nulls":4},"0262377365"]
[{"$nulls":4},"9780262377379"]
[{"$nulls":4},"0262377373"]
[{"$nulls":4},"9780262547352"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (456 pages)"]
[null,null,"Disciplina",null,"781.2/6"]
[null,null,"Soggetti",null,"Tonality"]
[{"$nulls":4},"Psychoacoustics"]
[{"$nulls":4},"Chords (Music)"]
[{"$nulls":4},"Musical intervals and scales"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Part I. Interdisciplinary Introduction. Definitions ; Approaches ; Rudiments -- II. Extra-Musical Foundations. Metaphysics ; Auditory Scene Analysis ; Auditory Sensitivity -- III. Musical Foundations. Matthew Shirlaw ; Hugo Riemann ; Diverse Epistemologies ; Scales and Intervals ; Chant and the Leading Tone ; Notation, Accidentals, and Enharmonics -- IV. Perception of Sonority. Pitch ; Consonance and Dissonance ; The Root of a Chord ; Spectral Pitch in Chords ; Jazz Harmony -- V. Perception of Progression. Pitch Commonality ; Tonality ; Progression and Modulation ; Structural Cognition -- VI. The Big Picture. Theoretic Evaluation ; Universals and Diversity."]
[null,null,null,"Sommario/riassunto","\"A leading music psychologist and theorist explains how Major-Minor Tonality came to assume its dominant place within music composition\"--"]