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[null,"1.","Record Nr.",null,"UNINA9910897700903321"]
[null,null,"Autore",null,"Eagle Mary <1944->"]
[null,null,"Titolo",null,"Dick Watkins : Reshaping Art and Life"]
[null,null,"Pubbl/distr/stampa",null,"Canberra : , : ANU Press, , 2024"]
[{"$nulls":4},"©2024"]
[null,null,"ISBN",null,"9781760466220"]
[{"$nulls":4},"1760466220"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (546 pages)"]
[null,null,"Disciplina",null,"759.994"]
[null,null,"Soggetti",null,"Painters - Australia - 20th century"]
[{"$nulls":4},"Artists - Australia - 20th century"]
[{"$nulls":4},"Peintres - Australie - 20e siècle"]
[{"$nulls":4},"Artistes - Australie - 20e siècle"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Intro -- Acknowledgements -- Abbreviations -- Introduction -- 1. Birth of an artist: Sydney, 1937-1959, and London, 1959-1961 -- 2. Sydney, 1961-1965 -- 3. The movers and shakers: Watkins, the Contemporary Art Society, and Central Street Gallery, 1966-1968 -- 4. 1968 and breaking away from the field -- 5. Pouring leads to Pollock, 1970-1971 -- 6. Pollock, 1971-1973 and forever -- 7. A year in France, then on to Hong Kong: Embracing traditional landscape and dipping into Picasso, 1975-1976 -- 8. Hong Kong, Italy, and 'Plan B': 1977-1978 -- 9. Hate-love for image, 1980-1983 -- 10. A line of great works beyond Picasso: 1984 onwards -- 11. Landscape as a cultural analogue? 1984, 1993-2006 -- 12. The media as subject and style: 1988-2009 -- 13. Texts by Dick Watkins -- 14. The pendulum, 1989-2000 -- 15. 'The result of intense mental collectedness and concentration': 2005-2020 -- Conclusion -- Chronology -- Select bibliography -- Index of works -- Index."]
[null,null,null,"Sommario/riassunto","Dick Watkins belongs to the generation of artists whose careers were launched at the high-flying end of American-based Abstraction. Almost immediately he faced up to the abrupt end of the Modern era."]