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[null,"1.","Record Nr.",null,"UNINA9910893793703321"]
[null,null,"Titolo",null,"Journal of design and science : JoDS"]
[null,null,"Pubbl/distr/stampa",null,"[Cambridge, MA], : MIT Press, [2016]-"]
[null,null,"Descrizione fisica",null,"Online-Ressource"]
[null,null,"Disciplina",null,"004"]
[null,null,"Soggetti",null,"Zeitschrift"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Periodico"]
[null,"2.","Record Nr.",null,"UNINA9910963269003321"]
[null,null,"Titolo",null,"Action dharma : new studies in engaged Buddhism / / edited by Christopher Queen, Charles Prebish and Damien Keown"]
[null,null,"Pubbl/distr/stampa",null,"London ; ; New York : , : RoutledgeCurzon, , 2003"]
[null,null,"ISBN",null,"9781136803819"]
[{"$nulls":4},"1136803815"]
[{"$nulls":4},"9780429239373"]
[{"$nulls":4},"0429239378"]
[{"$nulls":4},"9781136803826"]
[{"$nulls":4},"1136803823"]
[{"$nulls":4},"9781283963763"]
[{"$nulls":4},"1283963760"]
[{"$nulls":4},"9780203827789"]
[{"$nulls":4},"0203827783"]
[null,null,"Descrizione fisica",null,"1 online resource (384 p.)"]
[null,null,"Collana",null,"RoutledgeCurzon critical studies in Buddhism"]
[null,null,"Classificazione",null,"11.93"]
[null,null,"Disciplina",null,"294.3/37"]
[null,null,"Soggetti",null,"Buddhism - Social aspects"]
[{"$nulls":4},"Buddhism - Doctrines"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"pt. I. Historical roots -- pt. II. Asian narratives -- pt. III. Western frontiers -- pt. IV. Three critiques."]
[null,null,null,"Sommario/riassunto","Action Dharma charts the emergence of a new chapter in an ancient faith - the rise of social service and political activism in Buddhist Asia and the West. Fourteen new essays treat the historical origins, global range, teachings and practices, and leaders and organizations that make up the latest turning of the Dharma. Environmentalism and peace walks through the minefields of Southeast Asia, the future of the 'untouchables' of Japan, and outreach to minorities and inmates of the criminal justice system in the West are some of the challenging topics considered."]
[null,"3.","Record Nr.",null,"UNINA9910999612403321"]
[null,null,"Autore",null,"Pantenburg Volker"]
[null,null,"Titolo",null,"Film als Theorie : Bildforschung bei Harun Farocki und Jean-Luc Godard / / Volker Pantenburg"]
[null,null,"Pubbl/distr/stampa",null,"Bielefeld : , : transcript-Verlag, , [2015]"]
[{"$nulls":4},"©2006"]
[null,null,"ISBN",null,"3-8394-0440-1"]
[null,null,"Edizione",null,"[1. Aufl.]"]
[null,null,"Descrizione fisica",null,"1 online resource (324 p.)"]
[null,null,"Collana",null,"Film"]
[null,null,"Classificazione",null,"AP 14800"]
[null,null,"Disciplina",null,"791.43"]
[null,null,"Soggetti",null,"Motion pictures"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,"Nota di contenuto",null,"Frontmatter -- INHALT -- Einleitung -- I. Le Film qui pense -- II. Die Kamera als Pinsel – Film und Malerei -- III. Abweichung als Norm – Anmerkungen zum Essayfilm -- IV. Cut - Zwischenspiel im Schneideraum -- V. Taking Pictures - Fotografie und Film -- VI. Zwei oder drei Möglichkeiten, mit den Händen zu sprechen -- Schlussbemerkung -- Übersetzung der französischen Zitate -- Literatur -- Bildnachweise -- Dank -- Backmatter"]
[null,null,null,"Sommario/riassunto","»C'est le film qui pense«, sagt Jean-Luc Godard: Der Film mit seinen Bild- und Tonfolgen sei als eigenständige Form des Denkens aufzufassen und eröffne andere Reflexionsmöglichkeiten als die Sprache. Dabei ist dem Medium Film die theoretische Abstraktion scheinbar fremd - zu sehen ist stets Konkretes: Ein Zug fährt in einen Bahnhof ein, Arbeiter kommen aus einem Fabriktor, eine Frau verkauft Zeitungen auf den Champs-Elysées. Angefangen mit den Montagetheorien des russischen Films hat es jedoch immer wieder Versuche gegeben, durch die Kombination von Einstellungen Theoretisches sichtbar zu machen; es nicht als Worte an die Bilder heranzutragen, sondern innerhalb des Mediums selbst zu artikulieren. Jean-Luc Godard und Harun Farocki arbeiten seit Jahrzehnten an einer solchen Praxis des »Films als Theorie«, in deren gedanklichem Zentrum der Schneideraum steht. Durch die Assoziation und Dissoziation unterschiedlicher Bildtypen - Malerei, Film, Fotografie - machen sie Filmdenken im Film sichtbar, überführen Blicke in Gesten und Gedanken. Farocki und Godard werden hier erstmalig ausführlich zueinander in Beziehung gesetzt. Als Filmemacher, Autoren, "]
[{"$nulls":4},"Bildforscher."]