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[null,"1.","Record Nr.",null,"UNICAMPANIAVAN00297822"]
[null,null,"Autore",null,"Gustafson, Karl E."]
[null,null,"Titolo",null,"Numerical Range : The Field of Values of Linear Operators and Matrices / Karl E. Gustafson, Duggirala K. M. Rao"]
[null,null,"Pubbl/distr/stampa",null,"New York, : Springer, 1997"]
[null,null,"Descrizione fisica",null,"xiv, 189 p. : ill. ; 24 cm"]
[null,null,"Soggetti",null,"47-XX - Operator theory [MSC 2020]"]
[{"$nulls":4},"47A12 - Numerical range, numerical radius [MSC 2020]"]
[{"$nulls":4},"65-XX - Numerical analysis [MSC 2020]"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910890195103321"]
[null,null,"Autore",null,"Česálková Lucie <1983->"]
[null,null,"Titolo",null,"Non-Fiction Cinema in Postwar Europe : Visual Culture and the Reconstruction of Public Space"]
[null,null,"Pubbl/distr/stampa",null,"Amsterdam : , : Amsterdam University Press, , 2024"]
[{"$nulls":4},"©2024"]
[null,null,"ISBN",null,"1-04-077529-2"]
[{"$nulls":4},"90-485-5662-7"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (518 pages)"]
[null,null,"Collana",null,"Film Culture in Transition Series"]
[null,null,"Disciplina",null,"070.1809409044"]
[null,null,"Soggetti",null,"Documentary films"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- List of Figures -- Acknowledgments -- Preface: (Re)Building Europe Through Cinema (Studies) -- Frames of Reconstruction: An Introduction -- Section 1: Locating Non-Fiction Film -- 1: Itinerari Italiani: A Visual Information Campaign to Reclaim Italian Regionalisms and Remap US-Italian Economic Interdependence Under the Marshall Plan -- 2: Documentary Filmmaking in Postwar Germany, 1945-55: An Essay on the History of Production, Distribution, and Technology -- 3: Finding the Best Time for Shorts: Non-Fiction Film, Non-Stop Cinemas, and the Temporalities of Everyday Life of Post-WWII Audiences -- 4: Coproducing Postwar Socialist (Re)Construction: Transnational Documentaries in Eastern Europe -- 5: From Enemy Images to Friend Images After WWII, or How France Learned to Stop Worrying and Love Germany -- Section 2: Reconstructing Realities -- 6: \"Room to Move and Space to Play\": Architecture and the Marshall Plan's Cinematic Reconfiguration of Space -- 7: Screening Dortmund in Ruins: The Role of Elisabeth Wilms's Postwar Film Footage in City Politics and Local Remembrance Culture -- 8: From Rubble to Ruins: War Destruction, Postwar Reconstruction, and Tamed Modernization -- 9: Screening (At) The Workplace: Postwar Non-Fiction Cinema and the Gendered and Political Spaces of Labor -- 10: Choreographies of Public Space: Non-Fiction Film and Performances of Citizenship in Postwar Europe -- Section 3: Spaces of Cultural Trauma -- 11: Ruins, Iconic Sites, and Cultural Heritage in Italy and Poland in the Aftermath of World War II -- 12: Moving Accountability: Trials, Transitional Justice, "]
[{"$nulls":4},"and Documentary Cinema -- 13: (De)Constructing the Architect: Modern Architecture Between Praise and Criticism in Postwar Non-Fiction Cinema."]
[{"$nulls":4},"14: Restructuring (Post)Colonial Relationships: European Empires Between Decolonization, Trusteeships, and a New Projection in Africa -- Section 4: Creating New Paths -- 15: Virtual Topographies of Memory: Liberation Films as Mobile Models of Atrocity Sites -- 16: Curating Reconstruction in the Digital Realm: The Online Exhibition Frames of Reconstruction -- 17: Teaching (With) Postwar Cinema: Fostering Media Education and Transnational Historical Thinking Through Non-Fiction Film Heritage -- List of Acronyms -- Bibliography -- Index."]
[null,null,null,"Sommario/riassunto","After WWII, cinema was everywhere: in movie theatres, public squares, factories, schools, trial courts, trains, museums, and political meetings.Seen today, documentaries and newsreels, as well as the amateur production, show the kaleidoscopic portrait of a changing Europe."]