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[null,"1.","Record Nr.",null,"UNINA9910886955503321"]
[null,null,"Autore",null,"Ohls Hauke"]
[null,null,"Titolo",null,"Many-Valued Aesthetics : Interconnections in the Work of Mary Bauermeister"]
[null,null,"Pubbl/distr/stampa",null,"Bielefeld : , : transcript Verlag, , 2024"]
[{"$nulls":4},"©2024"]
[null,null,"ISBN",null,"9783839473689"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (307 pages)"]
[null,null,"Collana",null,"Image ; ; 249"]
[null,null,"Soggetti",null,"ART / History / Contemporary (1945-)"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Cover -- Contents -- 1. Prologue -- 2. Aesthetics of Many‐Valued Logic -- 2.1 Needless Needles -- The Needless Needles Light Sheet -- Needless Needles Drawing -- Needless Needles Lens Boxes -- Fibonacci Networks -- 2.2 \"A Trans‐Aristotelian Human Type\": Many‐Valued Logic according to Gotthard Günther -- Günther's Aristotelian Axioms -- Günther's Relationship to Hegel -- Many‐Valued Logic -- 2.3 A Trans‐Aristotelian Type of Artist: The Many‐Valued Aesthetic of Needless Needles -- Many‐Valued External Being -- An Aesthetic Concept of Many‐Valuedness -- Many‐Valued Aesthetic -- Many‐Valued Aesthetics by means of the Identity of Reflection of the Object -- 3. Combination Principle -- 3.1 Principles of Education -- 3.2 Facets of Abstraction -- Dot‐Structure Paintings -- Honeycomb Pictures -- 3.3 Musical Parameters -- Magnet Pictures -- Painterly Conception -- Notationality -- Beyond Fluxus -- 3.4 (Many‐Valued) Combinations -- Chance and Indeterminacy -- (Many‐Valued) Combination Principle -- 4. Material and Materiality -- Material and Materiality -- 4.1 A (Many‐Valued) Intermateriality -- Intermateriality -- Howevercall as an Intermaterial Assemblage -- 4.2 The Poetics of the Found as Material I: Light Sheets and Textiles -- 4.3 The Poetics of the Found as Material II: Stones -- 5. The Use of Writing in Bauermeister's Oeuvre -- Beyond Surrealism -- 5.1 A Topology of Notational Iconicity -- Notational Iconicity -- The Convergences of Writing and Drawing -- Spatiality and Materiality -- 5.2 Cooperative Iconicity -- 5.3 The Epistemological Potentials of (Reflexive) Notational Iconicity -- Notational Reflection(s) -- Handwriting(s) -- The Association of Scribbling -- 6. Networking in and between Works -- Pencil as Motif -- Network‐Like Networking -- "]
[{"$nulls":4},"6.1 Picture‐to‐Picture References -- Repetitions and Their Differences -- Square Tree Commentaries."]
[{"$nulls":4},"6.2 Production Processes between Hand, Eye, and Tools -- Tools of A's Touch -- Easels -- Pictionary's Checkered Pattern -- Hand -- Eye -- Work Processes -- 6.3 Reflections on Titles and Frames -- Titles -- Frames in Connection with Titles -- Networks and Autonomies of Title and Frame -- 6.4 The (Many‐Valued) Metalevels -- The Checkered Pattern as Metareference -- Meta‐Image -- 7. Epilogue -- Bibliography -- List of Figures."]
[null,null,null,"Sommario/riassunto","»Yes, No, Perhaps« are the most written words in Mary Bauermeister's artworks. Together they stand for the concept of many-valued aesthetics in the German artist's oeuvre - an aesthetic that Bauermeister developed using many-valued logic. Hauke Ohls brings the artist's central groups of works in context with each other as well as with the neo-avant-garde of the post-war period in Europe and the USA. He shows that the development of Bauermeister's art may appear disparate, but her canvas and relief works, drawings and writing pictures, lens boxes and stone pictures are characterized by a reciprocal relationship of combinations and interconnections. Through the ubiquitous use of meta-references, the entire oeuvre ultimately appears as an interconnected assemblage."]