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[null,"1.","Record Nr.",null,"UNINA9910870800903321"]
[null,null,"Autore",null,"Ostrowska Elzbieta"]
[null,null,"Titolo",null,"ReFocus: The Films of Agnieszka Holland : Transnational Nomadism / / Elzbieta Ostrowska"]
[null,null,"Pubbl/distr/stampa",null,"Edinburgh : , : Edinburgh University Press, , [2024]"]
[{"$nulls":4},"2024"]
[null,null,"ISBN",null,"9781399514699"]
[{"$nulls":4},"1399514695"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (312 p.) : 50 black and white illustrations"]
[null,null,"Collana",null,"ReFocus: The International Directors Series : RFIDS"]
[null,null,"Disciplina",null,"791.4302/33092"]
[null,null,"Soggetti",null,"PERFORMING ARTS / Individual Director (see also BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts)"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Frontmatter -- Contents -- List of Figures -- Acknowledgements -- Preface -- Introduction: authorship, women's cinema and transnational screen cultures -- 1 Early years: pains and joys -- 2 Art, politics and gender: Holland's participation in socialist Poland's screen cultures -- 3 European exilic cinema -- 4 Transatlantic journey/adventure, or the re-phase -- 5 From cinematic metteur en scène to television auteur? -- 6 'Back home' or 'There's no such place as home': post-communist political cinema revisited -- 7 Performing authorship: from celebrity director to celebrity activist -- Conclusion -- Filmography -- References -- Index"]
[null,null,null,"Sommario/riassunto","The Films of Agnieszka Holland is the first monograph devoted to the internationally most famous Polish filmmaker, a three times Oscar nominee and the recipient of numerous film festival prizes. It examines her rich, original oeuvre, which ranges from Holocaust dramas such as Europa, Europa (1990) to episodes of the HBO series The Wire. In examining the multifaceted nature of Holland's authorship, the study situates her work in the context of art, popular, national, European, Hollywood, transnational, women's, and queer cinema, as well as global television projects. Her colourful public persona oscillates among auteur, celebrity director, and political activist in an extraordinary professional trajectory, which started in the Eastern Bloc, continued in Western Europe and North America, then backtracked to a unified Europe. That zigzagged route conveys the unique nature of Holland's career while epitomising the transformations of post-Cold War cultural "]
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