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[null,"1.","Record Nr.",null,"UNINA9910870684303321"]
[null,null,"Autore",null,"Draucker Shannon"]
[null,null,"Titolo",null,"Sounding Bodies : Acoustical Science and Musical Erotics in Victorian Literature"]
[null,null,"Pubbl/distr/stampa",null,"Albany : , : State University of New York Press, , 2024"]
[{"$nulls":4},"©2024"]
[null,null,"ISBN",null,"9781438498393"]
[{"$nulls":4},"143849839X"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (296 pages)"]
[null,null,"Collana",null,"SUNY Series, Studies in the Long Nineteenth Century Series"]
[null,null,"Disciplina",null,"820.9/353809034"]
[null,null,"Soggetti",null,"English literature - 19th century - History and criticism"]
[{"$nulls":4},"Eroticism in literature"]
[{"$nulls":4},"Feminist theory"]
[{"$nulls":4},"Human body in literature"]
[{"$nulls":4},"Music in literature"]
[{"$nulls":4},"Music - Physiological effect"]
[{"$nulls":4},"Queer theory"]
[{"$nulls":4},"LITERARY CRITICISM / European / English, Irish, Scottish, Welsh"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,"Nota di contenuto",null,"Intro -- Contents -- List of Illustrations -- Acknowledgments -- Introduction: The Erotic Symphony -- Acoustical Readings -- Listening In: Sound, Sensation, and Science in Victorian Studies -- Reembodying Victorian Sound Studies -- The Feminist and Queer Uses of Acoustical Science -- Hearing New Things: New Directions for Music-Literature Studies -- Music Beyond Metaphor -- Queering the Concert Hall -- Good Vibrations: Expanding the Erotic in Victorian Studies -- Program Notes: Plan of the Book -- Part One: Sounds and Bodies"]
[{"$nulls":4},"Chapter One: Hearing, Touching, Feeling Sound: Acoustical Science in Nineteenth-Century Britain -- Physical Acoustics -- Physiological Acoustics -- \"Not Mere Vibrations\": Aesthetic Debates -- Acoustical Science in Victorian Culture -- Part Two: Genders -- Chapter Two: Bare Arms and Quivering Nerves: The \"Lady Violinist\" Novels of Mary Augusta Ward and M. E. Francis -- The \"Lady Violinist\" in Victorian Literature -- \"Beyond Her Muscular Power\": Female Violinists in "]
[{"$nulls":4},"Victorian England -- Brahms in the Blood: Robert Elsmere -- \"Itching\" to Be Heard: The Duenna of a Genius"]
[{"$nulls":4},"Physiological Acoustics and Feminist Politics -- Chapter Three: Cross-Dressing Violinists and Music/Gender Performance in The Heavenly Twins and The Violin-Player -- \"The Difference That Dress Makes\": Contingent Virtuosity in The Heavenly Twins -- \"A Real Genius\": Triumphant Musicality in The Violin-Player -- \"Without Regard to Sex\" -- Part Three: Sexualities -- Chapter Four: Dangerous Vibrations: Musical Rape in George Eliot and Thomas Hardy -- \"In Spite of Her Resistance\": The Mill on the Floss -- \"Excruciating Spasms\": Desperate Remedies and \"The Fiddler of the Reels\""]
[{"$nulls":4},"Chapter Five: Orgasm in the Orchestra Box: Teleny's Musical Pornography -- \"Natural Tastes\": Teleny's Defense of Same-Sex Desire -- Aural Sex: Teleny's Queer Erotics -- Part Four: Intimacies -- Chapter Six: Fiddle Feelings: Human-Instrument Intimacies in Dickens, Eliot, Trollope, and Hardy -- \"Corporeal Co-Dependence\": Human-Instrument Relations in Victorian Acoustical Science -- Sympathetic Kinship: George Eliot's The Mill on the Floss -- Cello Friendship: Anthony Trollope's The Warden -- Passioned Pulsings: Thomas Hardy's \"Haunting Fingers\" -- Self-Playing Instruments"]
[{"$nulls":4},"Chapter Seven: Musical Hauntings and Otherworldly Erotics in The Lost Stradivarius and \"A Wicked Voice\" -- \"Acoustical Affinities\": The Lost Stradivarius -- The Murmur of the Castrato: \"A Wicked Voice\" -- Is the Concert Hall Haunted? -- Coda: Re-vitalizing Contemporary Classical Music -- Notes -- Bibliography -- Index"]
[null,null,null,"Sommario/riassunto","Shows how nineteenth-century discoveries in acoustical science shaped Victorian literary representations of gender, sexuality, and intimacy."]