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[null,null,"Autore",null,"Froneman Willemien"]
[null,null,"Titolo",null,"The Groovology of White Affect : Boeremusiek and the Enregisterment of Race in South Africa / / by Willemien Froneman"]
[null,null,"Pubbl/distr/stampa",null,"Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2024"]
[null,null,"ISBN",null,"9783031401435"]
[{"$nulls":4},"3031401433"]
[null,null,"Edizione",null,"[1st ed. 2024.]"]
[null,null,"Descrizione fisica",null,"1 online resource (239 pages)"]
[null,null,"Disciplina",null,"781.623936"]
[null,null,"Soggetti",null,"Popular music"]
[{"$nulls":4},"Music - History and criticism"]
[{"$nulls":4},"Ethnology - Africa"]
[{"$nulls":4},"Culture"]
[{"$nulls":4},"Popular Music"]
[{"$nulls":4},"History of Music"]
[{"$nulls":4},"African Culture"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"1. Boeremusiek’s “Heart-Speech” -- 2. The Riches of Embarrassment -- 3. Blackfaced Boeremusiek and the Racial Grotesque -- 4. Epiphanies of Postcolonial Radiance -- 5. Disavowal and the Perverted Mind of Apartheid -- 6. The Groovology of White Affect."]
[null,null,null,"Sommario/riassunto","The Groovology of White Affect theorizes white aesthetics and race formation in South Africa from a position immersed in the sonic. Mining boeremusiek’s “heart-speech” across two centuries of reception, the book offers a theory of race formation steeped in the music’s vernacular language and practices, and in the context of South Africa's race ideologies. The book’s chapters identify and explore boeremusiek's affective modalities: embarrassment, blackface, epiphany, and disavowal. The book then theorizes indexicality, music, affect and whiteness as three interlinked ontologies. When considered together, the book argues, boeremusiek’s modalities outline the parameters of a corrupted white aesthetic faculty that help explain how whiteness perpetuates itself in the present day. Racism is thereby defined not primarily as a matter of prejudice, but as a matter of (conditional) pleasure and (pathological) taste. The Groovology of White "]
[{"$nulls":4},"Affect articulates a sound studies from the South; it is an attempt to write in a South Africa-centered way - amidst the collapse of colonial disciplines and a resulting disciplinary and methodological catholicism - for a broad, international audience interested in the affective constitution of race and racism."]