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[null,"1.","Record Nr.",null,"UNINA990001640420403321"]
[null,null,"Autore",null,"Aguilar-Amat, J. B. : de"]
[null,null,"Titolo",null,"Instruccions per a la preparació i envió de mamífers amb destí al Museu / J.B. de Aguilar Amat"]
[null,null,"Pubbl/distr/stampa",null,"Barcelona : Museu Martorell Passeig de la Industria, 1917"]
[null,null,"Descrizione fisica",null,"16 p. ; 25 cm"]
[null,null,"Disciplina",null,"579.4"]
[null,null,"Locazione",null,"FAGBC"]
[null,null,"Collocazione",null,"60 599 B 1"]
[null,null,"Lingua di pubblicazione",null,"Catalano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910566497703321"]
[null,null,"Autore",null,"Gozzi Carlo"]
[null,null,"Titolo",null,"L’Oiseau vert / / Carlo Gozzi"]
[null,null,"Pubbl/distr/stampa",null,"Grenoble, : UGA Éditions, 2022"]
[null,null,"ISBN",null,"2-37747-364-4"]
[null,null,"Descrizione fisica",null,"190 pages ; ; 18 cm"]
[null,null,"Collana",null,"Paroles d'ailleurs, , 1286-8485"]
[null,null,"Soggetti",null,"Literature"]
[{"$nulls":4},"Theater"]
[{"$nulls":4},"comédie"]
[{"$nulls":4},"commedia dell’arte"]
[{"$nulls":4},"fable"]
[{"$nulls":4},"allégorie"]
[{"$nulls":4},"tragique"]
[{"$nulls":4},"burlesque"]
[{"$nulls":4},"traduction"]
[{"$nulls":4},"fable théâtrale"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (pages 51-55)."]
[null,null,null,"Sommario/riassunto","L’Oiseau vert (1765) est la neuvième des dix fables théâtrales que l’écrivain vénitien Carlo Gozzi, invente pour triompher de l’autre Carlo, Goldoni, adversaire honni contre lequel il se déchaînait depuis dix ans. Il la nomme fable philosophique pour souligner l’importance du message allégorique qu’il y développe, et répondre à ceux qui trouvaient ses intrigues de conte de fées trop puériles et « fondées sur le faux ». Il y donne un destin à la fois tragique, pathétique et burlesque aux protagonistes de sa première fable, L’Amour des trois oranges (1761), et porte à sa perfection une écriture-centaure qui traduit sur la page la subtile articulation entre dramaturgie d’auteur et dramaturgie d’acteur propre à la commedia dell’arte. Son contemporain Giuseppe Baretti voyait en Gozzi un nouveau Shakespeare. Avait-il tort ? Avait-il raison ? Cette traduction à lire et à jouer qui se démarque des versions scéniques modernes pour revenir à la lettre de l’original permettra de trancher la question."]
[null,"3.","Record Nr.",null,"UNINA9910838246403321"]
[null,null,"Autore",null,"Lipschits Oded"]
[null,null,"Titolo",null,"Age of Empires : The History and Administration of Judah in the 8th–2nd Centuries BCE in Light of the Storage-Jar Stamp Impressions / / Oded Lipschits"]
[null,null,"Pubbl/distr/stampa",null,"University Park, PA : , : Penn State University Press, , [2021]"]
[{"$nulls":4},"©2021"]
[null,null,"ISBN",null,"1-64602-174-6"]
[null,null,"Descrizione fisica",null,"1 online resource (250 p.) : 23 color/18 b&w illustrations/10 maps"]
[null,null,"Collana",null,"Mosaics: Studies on Ancient Israel ; ; 2"]
[null,null,"Disciplina",null,"929.90933/49"]
[null,null,"Soggetti",null,"Stamp seals - Judaea (Region) - History"]
[{"$nulls":4},"SOCIAL SCIENCE / Archaeology"]
[{"$nulls":4},"Judaea (Region) History"]
[{"$nulls":4},"Judaea (Region) Antiquities"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Frontmatter -- Contents -- Preface -- Introduction -- 1. Storage-Jar Stamp Impressions in the Ancient Near East -- 2. The Jar-Stamping Phenomenon in Judah -- 3. The Stamped Judahite Storage Jars -- 4. Main Stamp-Impression Types: Typology, Corpus and Distribution -- 5. The Chronology of the Stamped Storage-Jar Systems in the Kingdom of Judah -- 6. The Function and Modus Operandi of the Stamped Storage-Jar System in the Kingdom of Judah -- 7. The Stamped Storage-Jar Systems in Their Chronological, Historical and Archaeological Contexts -- 8. Conclusions -- Bibliography -- Index of Geographic Names -- Index of Historical Figures -- Index of Modern Authors"]
[null,null,null,"Sommario/riassunto","Storage jars of many shapes and sizes were in widespread use in the ancient world, transporting and storing agricultural products such as wine and oil, crucial to agriculture, economy, trade and subsistence. From the late 8th to the 2nd century BCE, the oval storage jars typical of Judah were often stamped or otherwise marked: in the late 8th and early 7th century BCE with lmlk stamp impressions, later in the 7th century with concentric circle incisions or rosette stamp impressions, in the 6th century, after the fall of Jerusalem, with lion stamp impressions, and in the Persian, Ptolemaic and Seleucid periods (late 6th–late 2nd centuries BCE) with yhwd stamp impressions. At the same time, several ad hoc systems of stamp impressions appeared: “private” stamp "]
[{"$nulls":4},"impressions were used on the eve of Sennacherib’s campaign, mwṣh stamp impressions after the destruction of Jerusalem, and yršlm impressions after the establishment of the Hasmonean state. While administrative systems that stamped storage jars are known elsewhere in the ancient Near East, the phenomenon in Judah is unparalleled in its scale, variety and continuity, spanning a period of some 600 years without interruption.This is the first attempt to consider the phenomenon as a whole and to develop a unified theory that would explain the function of these stamp impressions and shed new light on the history of Judah during six centuries of subjugation to the empires that ruled the region—as a vassal kingdom in the age of the Assyrian, Egyptian, and Babylonian empires and as a province under successive Babylonian, Persian, Ptolemaic, and Seleucid rule."]