{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":1,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":18,"n_cols":5,"rows_kept":18,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[5,2,5,3],[7,2,7,3],[8,2,8,3],[9,2,9,3],[10,2,10,3],[11,2,11,3],[12,2,12,3],[14,2,14,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910832991403321"]
[null,null,"Autore",null,"Colin Noyale"]
[null,null,"Titolo",null,"Ethical Agility in Dance : Rethinking Technique in British Contemporary Dance"]
[null,null,"Pubbl/distr/stampa",null,"Milton : , : Taylor & Francis Group, , 2023"]
[{"$nulls":4},"©2024"]
[null,null,"ISBN",null,"9781000983739"]
[{"$nulls":4},"1000983730"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (351 pages)"]
[null,null,"Collana",null,"Routledge Advances in Theatre and Performance Studies"]
[null,null,"Disciplina",null,"792.80941"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Table of Contents -- List of Figures -- List of Tables -- About the Editors -- List of Contributors -- Introduction: Ethical Agility in British Contemporary Dance Technique -- Part I: Concepts -- 1.1 New Imaginaries: Dance Training, Ethics, and Practice -- 1.2 Contemporary Dance in Postcolonial Britain: Charting Shifts in 'Techniques' -- 1.3 Democratising Dance: Inclusion at the Core of Dance Education and its Impact -- 1.4 Finding a Place for Responsiveness, Possibility, and Emergence in Dance Education Assessment Systems -- 1.5 Facilitating Individual Agency in British Contemporary Dance Technique Training: A Praxical Pedagogical Approach -- Part II: Practices -- 2.1 Material Matters -- 2.2 Questioning Values in the Delivery of Dance Practices at the University of East London -- 2.3 Fostering Attentional Awareness for Connectedness, with Agility and Empathy as Core Values -- 2.4 Steps Towards Decolonising Contact Improvisation in the University -- 2.5 Digital Tools in Formal and Informal Dance Education Environments -- 2.6 Staying Alive: The Dance Technique class as a Means for Survival -- Part III: Conversations -- 3.1 Thinking Together about the Ethics of Training -- 3.2 'Movement is not Something you do, but Something you Are': Balancing the Development of Technical Skills with Attentional Practices in Dance Training -- 3.3 Being Faithful to the Complexity of the Creative Dancing Body -- 3.4 'Choosing a Lens of Values': Dance Training as Relational Practice -- 3.5 Improvisation: Inclusivity and Race -- 3.6 'There is no Line': Valuing Individual Potential through Inclusive and Collaborative Dance Technique -- 3.7 Developing "]
[{"$nulls":4},"Bespoke inclusive Technique for Mainstream Dance Training."]
[{"$nulls":4},"3.8 Participating in Worlds of our own Making: Inclusive Training in Community Dance Practice -- 3.9 Technique as a Way of Building an Ecology of Practice -- 3.10 In the Fullness of Ourselves: Some skills and Intentions of Improvisation -- Part IV: Manifestos -- 4.1 'As Technique' -- 4.2 The way of the Wild Soul: A Map for Embodied and Nature-based Spirituality -- 4.3 Simply for the Doing: A Manifesto for the Work of a Dance Class -- 4.4 Breaking the Mould: A Manifesto for a Future-facing, Accessible Dance Course -- 4.5 Manifesto for Inclusion -- 4.6 The Value of 'South Asian' Dance Technique to 'Contemporary' Dance Training -- 4.7 Towards Decoloniality and Artistic Citizenship: A Manifesto -- 4.8 The World needs more Dancers. Consciousness can and should be Trained through the Practice of Dance -- 4.9 A Chorus of Dancing Voices Curated by Katye Coe -- Index."]
[null,null,null,"Sommario/riassunto","This edited collection examines the potential of dance training for developing socially engaged individuals capable to forge ethical human relations for an ever-changing world and in turn frames dance as a fundamental part of human experience."]