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[null,"1.","Record Nr.",null,"UNINA9910830950803321"]
[null,null,"Autore",null,"Heines M. Henry <1945->"]
[null,null,"Titolo",null,"First to file : patents for today's scientist and engineer / / M. Henry Heines"]
[null,null,"Pubbl/distr/stampa",null,"Hoboken, New Jersey : , : Wiley, , 2014"]
[{"$nulls":4},"©2014"]
[null,null,"ISBN",null,"1-118-93316-8"]
[{"$nulls":4},"1-118-93317-6"]
[{"$nulls":4},"1-118-93318-4"]
[null,null,"Descrizione fisica",null,"1 online resource (219 p.)"]
[null,null,"Disciplina",null,"346.7304"]
[{"$nulls":4},"346.730486"]
[null,null,"Soggetti",null,"Patent laws and legislation - United States"]
[{"$nulls":4},"Patent practice - United States"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","\"A Joint Publication of the American Institute of Chemical Engineers and John Wiley & Sons, Inc.\""]
[{"$nulls":4},"Includes index."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"The first-to-file rule: evolution and application -- Prior art before and after the AIA : two standards compared -- Creating one's own prior art : self-imposed barriers to patentability -- Cancelling prior art and other benefits of record keeping -- Inventing in an employment environment : the aia's new recognition of employer interests and project management -- The novelty threshold : can you recognize it when you see it? -- Confronting the prior art : what makes an invention nonobvious? -- The view from the infringer's side : challenging a patent's validity -- Patent eligibility : pushing the envelope on subject matter appropriate for patenting -- Selected topics in patent strategy."]
[null,null,null,"Sommario/riassunto","Bridges the gap between the realistic needs and questions of scientists and engineers and the legal skills of professionals in the patent field at a level accessible to those with no legal training<br /> Written for inventors in lay terms that they can relate to or easily follow <br /> Lays out the new features of patent law introduced by the America Invents Act of 2012<br /> Explains the differences between the first-to-invent and first-to-file rules and why the two rules will coexist<br /> Focuses on the growth of new technologies in industry versus the laws protecting them"]
[null,"2.","Record Nr.",null,"UNINA9910764194903321"]
[null,null,"Titolo",null,"An den Rändern des Wissens : Über künstlerische Epistemologien / / hrsg. von Kathrin Peters, Barbara Gronau, Kathrin Busch"]
[null,null,"Pubbl/distr/stampa",null,"Bielefeld : , : transcript Verlag, , [2023]"]
[{"$nulls":4},"2023"]
[null,null,"ISBN",null,"9783839462201"]
[{"$nulls":4},"3839462207"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (356 p.)"]
[null,null,"Collana",null,"Wissen der Künste ; ; 3"]
[null,null,"Disciplina",null,"700.1/03"]
[null,null,"Soggetti",null,"ART / Criticism"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Frontmatter -- Zur Schriftenreihe »Wissen der Künste« -- Inhalt -- Über künstlerische Epistemologien -- Wissen und künstlerische Praxisprozesse -- (De-)Maskierungen -- Die Katastrophe bezeugen -- Mediale Dispositive und künstlerisches Wissen -- Darstellen und Durcharbeiten -- Family Affairs -- Martyrs -- Kunst und Episteme -- Abstrakter Realismus -- Autotheorie -- Krankheit, Verletzbarkeit und Wissen -- Never Tire -- Politiken des Wissens -- Die gesellschaftliche Situiertheit kultureller und künstlerischer Verkörperung bei Hannah Arendt -- Die Orange lesen -- Postkoloniale Gegenwartsdramatik -- Bildung - Transformation - Vermittlung -- Wissen in Zwischenräumen -- »Wo ist für dich der Ort der Indigenen?« -- Gut of a Monster -- Glossar -- Biografien"]
[null,null,null,"Sommario/riassunto","Künste bilden einen genuinen Bereich in der Produktion von Wissen. Sie vermitteln nicht nur bereits vorhandene Erkenntnisse, sondern bringen eine eigene Form hervor. Künstlerisches Wissen steht dabei im Austausch mit anderen kulturellen, sozialen oder politischen Wissensbereichen und ist zugleich mit Praktiken verbunden, die an die Ränder etablierter und konsolidierter Wissensformen führen. Die Beiträger*innen fassen eine Dekade Forschungsarbeit des Graduiertenkollegs »Das Wissen der Künste« zusammen - und stellen transdisziplinäre Ansätze zum Verständnis künstlerischer Wissensgenerierung vor."]