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[null,"1.","Record Nr.",null,"UNINA9910828683103321"]
[null,null,"Autore",null,"Leighton Angela <1954->"]
[null,null,"Titolo",null,"On form : poetry, aestheticism, and the legacy of a word / / Angela Leighton"]
[null,null,"Pubbl/distr/stampa",null,"Oxford, England : , : Oxford University Press, , 2007"]
[{"$nulls":4},"2007"]
[null,null,"ISBN",null,"0-19-156432-X"]
[null,null,"Descrizione fisica",null,"1 online resource (299 p.)"]
[null,null,"Disciplina",null,"821.009"]
[null,null,"Soggetti",null,"English poetry - 19th century - History and criticism"]
[{"$nulls":4},"Aesthetics, Modern - 19th century"]
[{"$nulls":4},"English poetry - 20th century - History and criticism"]
[{"$nulls":4},"American poetry - 19th century - History and criticism"]
[{"$nulls":4},"American poetry - 20th century - History and criticism"]
[{"$nulls":4},"Literary form"]
[{"$nulls":4},"Knowledge, Theory of, in literature"]
[{"$nulls":4},"Poetics"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[{"$nulls":3},"Livello bibliografico","Monografia"]
[{"$nulls":3},"Note generali","Description based upon print version of record."]
[{"$nulls":3},"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Contents; 1. Form's Matter: A Retrospective; 2. Art for Art: On Pots, Crocks, Lyres, and Flutes; 3. Touching Forms: Tennyson and Aestheticism; 4. Aesthetic Conditions: Pater's Re-forming Style; 5. Seeing Nothing: Vernon Lee's Ghostly Aesthetics; 6. Just a Word: On Woolf; 7. Yeats's Feet; 8. Wallace Stevens' Eccentric Souvenirs; 9. W. S. Graham: In the Mind's Ear; 10. Forms of Elegy: Stevenson, Muldoon, Hill, Fisher; 11. Elegies of Form: Bishop, Plath, Stevenson; 12. Nothing, but: An Afterword; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y"]
[{"$nulls":3},"Sommario/riassunto","On Form assesses both the legacy of Victorian aestheticism and the nature of the literary. It tracks the development of the word 'form' since the Romantics and offers readings of, among others, Tennyson, Yeats, Stevens, and Plath. Original readings of poetry are combined with a powerful argument about the nature of aesthetic pleasure."]