{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":2,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":42,"n_cols":5,"rows_kept":42,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[5,2,5,3],[7,2,7,3],[8,2,8,3],[9,2,9,3],[10,2,10,3],[11,2,11,3],[13,2,13,3],[14,2,14,3],[18,2,18,3],[21,2,21,3],[21,4,21,5],[22,2,22,3],[22,4,22,5],[23,2,23,3],[23,4,23,5],[24,2,24,3],[26,2,26,3],[28,2,28,3],[29,2,29,3],[30,2,30,3],[31,2,31,3],[32,2,32,3],[34,2,34,3],[35,2,35,3],[39,2,39,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910817123603321"]
[null,null,"Autore",null,"Delgado-García Cristina"]
[null,null,"Titolo",null,"Rethinking character in contemporary british theatre : aesthetics, politics, subjectivity / / Cristina Delgado-García"]
[null,null,"Pubbl/distr/stampa",null,"Berlin, Germany ; ; Boston, [Massachusetts] : , : De Gruyter, , 2015"]
[{"$nulls":4},"©2015"]
[null,null,"ISBN",null,"3-11-041122-9"]
[{"$nulls":4},"3-11-033391-0"]
[null,null,"Descrizione fisica",null,"1 online resource (240 p.)"]
[null,null,"Collana",null,"CDE Studies, , 2194-9069 ; ; Volume 26"]
[null,null,"Classificazione",null,"HN 1274"]
[null,null,"Disciplina",null,"792.0942"]
[null,null,"Soggetti",null,"Theater - Great Britain - 21st century"]
[{"$nulls":4},"Great Britain"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Frontmatter -- Acknowledgements -- Contents -- Preface: Character Remains -- Introduction -- 1. The Life, Death and Second Coming of Character -- 2. Figuring the Subject beyond Individuality -- 3. Singular Subjectivities -- 4. Collective Subjectivities -- Conclusion -- Appendix: Brief Survey of Character-less Plays, 1900 - Present -- Works Cited -- Index"]
[null,null,null,"Sommario/riassunto","The category of theatrical character has been swiftly dismissed in the academic reception of no-longer-dramatic texts and performances. However, claims on the dissolution of character narrowly demarcate what a subject is and how it may appear. This volume unmoors theatre scholarship from the regulatory ideals of liberal humanism, stretching the notion of character to encompass and illuminate otherwise unaccounted-for subjects, aesthetic strategies and political gestures in recent theatre works. To this aim, contemporary philosophical theories of subjectivation, European theatre studies, and experimental, script-led work produced in Britain since the late 1990s are mobilised as discussants on the question of subjectivity. Four contemporary playtexts and their performances are examined in depth: Sarah Kane's Crave and 4.48 Psychosis, Ed Thomas's Stone City Blue and Tim Crouch's ENGLAND. Through these case studies, Delgado-García demonstrates alternative ways of engaging theoretically with character, and elucidating a range of subjective figures beyond identity and individuality. Alongside these analyses, the book traces a large body of "]
[{"$nulls":4},"work that has experimented with speech attribution since the early twentieth-century. This is a timely contribution to contemporary theatre scholarship, which demonstrates that character remains a malleable and politically-salient notion in which understandings of subjectivity are still being negotiated."]
[null,"2.","Record Nr.",null,"UNINA9910827007203321"]
[null,null,"Autore",null,"Brendsel Daniel J. <1980->"]
[null,null,"Titolo",null,"Isaiah saw his glory : the use of Isaiah 52-53 in John 12 / / Daniel J. Brendsel"]
[null,null,"Pubbl/distr/stampa",null,"Berlin, [Germany] ; ; Boston, [Massachusetts] : , : Walter de Gruyter GmbH, , 2014"]
[{"$nulls":4},"©2014"]
[null,null,"ISBN",null,"3-11-039124-4"]
[{"$nulls":4},"3-11-036504-9"]
[null,null,"Descrizione fisica",null,"1 online resource (300 p.)"]
[null,null,"Collana",null,"Beihefte zur Zeitschrift für die neutestamentliche Wissenschaft, , 0171-6441 ; ; Band 208"]
[null,null,"Classificazione",null,"BC 7250"]
[null,null,"Disciplina",null,"226.5/06"]
[null,null,"Soggetti",null,"Rezeption"]
[{"$nulls":4},"RELIGION / Biblical Criticism & Interpretation / New Testament"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and indexes."]
[null,null,"Nota di contenuto",null,"Front matter -- Acknowledgments -- Contents -- List of Illustrations and Tables -- List of Abbreviations -- Part I: John and Isaiah -- 2 Issues for Interpretation -- 3 Sin, Salvation, and the Servant: A Reading of Isaiah 40-55 -- Part II: Explicit Reference to Isaiah in John 12 -- 4 Isaiah and the Hardening of Many in Israel -- 5 The Judgment of Hardening and the Unbelief Met by Jesus -- 6 The Glory That Isaiah Saw -- Part III: Implicit Reference to Isaiah in John 12 -- 7 The Servant and Jesus' Hour to Be Lifted Up and Glorified -- 8 Isaiah's Servant and Jesus' Entry into Jerusalem -- 9 Jesus and the Isaianic Herald of Good News -- 10 Conclusion -- Bibliography -- Index of Ancient Sources -- Index of Authors and Historical Persons -- Index of Subjects and Biblical Characters"]
[null,null,null,"Sommario/riassunto","The influence of Isaiah on John's narrative and theology has long been recognized, but it has yet to receive monograph-length attention. This study is a beginning attempt to fill that void through an examination of the use of Isaiah in the crucial hinge of John's gospel - John 12:1-43. Beginning with a reading of Isaiah 40-55 illustrating a way in which early Christians may have read this important section of Scripture, the bulk of the study examines the pericopes in John 12:1-43, seeking to identify and interpret John's use of Isaiah 52-53. It is concluded that a reading of this well-known Isaianic text rooted within its broader context in Isaiah, together with the mediating influence of other texts - "]
[{"$nulls":4},"notably Isa 6:9-10 and Zech 9:9-10 - has fueled much Johannine theology, Christology, and ecclesiology. Moreover, mirroring the progression of Isa 52:7-53:1 in John 12 is the author's way of underlining Jesus' identity as the Servant of God and announcing that the second exodus prophesied by Isaiah is secured by the rejection (and death) of Jesus."]