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[null,"1.","Record Nr.",null,"UNISA990001222030203316"]
[null,null,"Autore",null,"STUMP, Gregory T."]
[null,null,"Titolo",null,"Inflectional morphology : a theory of paradigm structure / Gregory T. Stump"]
[null,null,"Pubbl/distr/stampa",null,"Cambridge : Cambridge university press, 2001"]
[null,null,"ISBN",null,"0-521-78047-0"]
[null,null,"Descrizione fisica",null,"XVI, 308 p. ; 24 cm"]
[null,null,"Collana",null,"Cambridge studies in linguistics ; 93"]
[null,null,"Disciplina",null,"415"]
[null,null,"Soggetti",null,"Morfologia"]
[null,null,"Collocazione",null,"IV.2. 714(XII C 44)"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910826441303321"]
[null,null,"Autore",null,"Rubin James Henry"]
[null,null,"Titolo",null,"Monet / / James H. Rubin"]
[null,null,"Pubbl/distr/stampa",null,"London : , : Thames & Hudson, , [2020]"]
[{"$nulls":4},"©2020"]
[null,null,"ISBN",null,"0-500-77506-0"]
[null,null,"Descrizione fisica",null,"1 online resource (236 pages)"]
[null,null,"Collana",null,"World of art"]
[null,null,"Disciplina",null,"759.4"]
[null,null,"Soggetti",null,"Impressionism (Art)"]
[{"$nulls":4},"Criticism, interpretation, etc."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (pages 211-213) and index."]
[null,null,"Nota di contenuto",null,"Defying traditions: from caricaturist to career -- Defining impressionism: aspects of modernity -- Interludes and crises: personal, public and pictorial -- The picturesque as turning point: travels, sites and series -- Poetry in the garden: the decorative, the 'water lilies' and art nouveau -- Vision and subjectivity: seeing with the body -- Political contexts: nationalism and utopia -- A lasting legacy: the patriarch of modern art."]
[null,null,null,"Sommario/riassunto","Claude Monet (1840-1926) is one of the most admired and famous painters of all time, and the architect of Impressionism: a revolution that gave birth to modern art. His technique - painting out of doors, at the seashore or in the city streets - was as radically new as his subject matter, the landscapes and middle-class pastimes of a newly industrialized Paris. Painting with an unprecedented immediacy and authenticity, Monet claimed that his work was something new: both natural and true. 0In this new introductory study, James H. Rubin - one of the world's foremost specialists in 19th-century French art - traces the development of Monet's practice, from his early work as a caricaturist to the late paintings of waterlilies and his garden at Giverny. Rubin explores the cultural currents that helped to shape Monet's work: the utopian thought that gave rise to his politics; his interest in Japanese prints, gardening, and trends in the decorative arts; and his relationship with earlier French landscape painters as well as such contemporaries as Manet and Renoir."]