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[null,"1.","Record Nr.",null,"UNINA9910826309703321"]
[null,null,"Autore",null,"Davidson Chad <1970->"]
[null,null,"Titolo",null,"From the Fire Hills / / Chad Davidson"]
[null,null,"Pubbl/distr/stampa",null,"Carbondale, Illinois : , : Crab Orchard Review & Southern Illinois University Press, , 2014"]
[{"$nulls":4},"©2014"]
[null,null,"ISBN",null,"0-8093-3324-4"]
[null,null,"Descrizione fisica",null,"1 online resource (90 p.)"]
[null,null,"Collana",null,"Crab Orchard Series in Poetry"]
[null,null,"Disciplina",null,"811.608"]
[null,null,"Soggetti",null,"American poetry - 21st century"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,"Nota di contenuto",null,"Cover; Title Page; Copyright; CONTENTS; ACKNOWLEDGMENTS; IN RAVENNA; I; THE GOTHIC LINE; VANDALS; SAN LUCA; LOVERS IN THE CAPUCHIN CRYPT; THE SUBJUNCTIVE MOOD; THE SCREAMING TODDLER IN SANTA MARIA NOVELLA; CONTROLLED BURN; II; AERIAL; FROM THE NEW REPUBLIC; THE LAST CRUSADE; THE GROTESQUE; SOFT COSTS; LABOR DAYS; III; WATERWALKERS; THE BARISTA OF SANT'EUSTACHIO; BELLAGIO; WINK; HOLE IN THE HEART; THE CHURCHES OF ITALY; THE NEW WORLD; IV; OSSI DI MORTO; LIMONCELLO; BLOOD ORANGE; DISPENSATION; TRUFFLE; LITTLE SHOE; SANTA MARIA IN TRASTEVERE; NATIVE; V; SURVIVAL ITALIAN; BEFORE THE BOMBING"]
[{"$nulls":4},"PANTELLERIAELEGY; THE GRIEF INDUSTRY; ANTHEM; EXILE; Other Books in the Crab Orchard Series in Poetry; Back Cover"]
[null,null,null,"Sommario/riassunto","In From the Fire Hills, poet Chad Davidson shows us an Italy that is far from the romanticized notions of sun-drenched fields and self-discovery. Instead we see a maelstrom of chaos and contradiction, a place where the frenetic pace of modernity is locked in a daily struggle with recalcitrant history. This autobiographical collection explores the myriad ways in which Italian culture survives its own parodies and evokes a modern ferocity that harkens back to Italy's barbarian past. As the narrator, rendered vulnerable by language, embarks on his journey, lines of locat"]