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[null,"1.","Record Nr.",null,"UNINA9910825934503321"]
[null,null,"Autore",null,"Frank Marcie"]
[null,null,"Titolo",null,"Gender, theatre, and the origins of criticism : from Dryden to Manley / / by Marcie Frank [[electronic resource]]"]
[null,null,"Pubbl/distr/stampa",null,"Cambridge : , : Cambridge University Press, , 2002"]
[null,null,"ISBN",null,"1-107-12607-X"]
[{"$nulls":4},"1-280-15979-0"]
[{"$nulls":4},"0-511-12095-8"]
[{"$nulls":4},"0-511-02111-9"]
[{"$nulls":4},"0-511-14780-5"]
[{"$nulls":4},"0-511-33009-X"]
[{"$nulls":4},"0-511-48357-0"]
[{"$nulls":4},"0-511-05452-1"]
[null,null,"Descrizione fisica",null,"1 online resource (ix, 175 pages) : digital, PDF file(s)"]
[null,null,"Disciplina",null,"801/.95/094109033"]
[null,null,"Soggetti",null,"Criticism - Great Britain - History - 18th century"]
[{"$nulls":4},"English literature - History and criticism - Theory, etc"]
[{"$nulls":4},"Criticism - Great Britain - History - 17th century"]
[{"$nulls":4},"English drama - History and criticism - Theory, etc"]
[{"$nulls":4},"Sex role in literature"]
[{"$nulls":4},"Sex in literature"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[{"$nulls":3},"Livello bibliografico","Monografia"]
[{"$nulls":3},"Note generali","Title from publisher's bibliographic system (viewed on 05 Oct 2015)."]
[{"$nulls":3},"Nota di bibliografia","Includes bibliographical references (p. 163-172) and index."]
[null,null,"Nota di contenuto",null,"The critical stage -- \"Equal to ourselves\" : John Dryden's national literary history -- Staging criticism, staging Milton : John Dryden's The state of innocence -- Imitating Shakespeare : gender and criticism -- The female playwright and the city lady -- Scandals of a female nature."]
[{"$nulls":3},"Sommario/riassunto","In Gender, Theatre and the Origins of Criticism, which was originally published in 2003, Marcie Frank explores the theoretical and literary legacy of John Dryden to a number of prominent women writers of the time. Frank examines the pre-eminence of gender, sexuality and the theatre in Dryden's critical texts that are predominantly rewritings of the work of his own literary precursors - Ben Jonson, Shakespeare and Milton. She proposes that Dryden develops a native literary tradition that is passed on as an inheritance to his heirs - Aphra Behn, Catharine Trotter, and Delarivier Manley - as well as their male contemporaries. "]
[{"$nulls":4},"Frank describes the development of criticism in the transition from a court-sponsored theatrical culture to one oriented toward a consuming public, with very different attitudes to gender and sexuality. This study also sets out to trace the historical origins of certain aspects of current criticism - the practices of paraphrase, critical self-consciousness and performativity."]