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[null,"1.","Record Nr.",null,"UNINA9910825470303321"]
[null,null,"Autore",null,"Su Wendy"]
[null,null,"Titolo",null,"China's encounter with global Hollywood : cultural policy and the film industry, 1994-2013 / / Wendy Su"]
[null,null,"Pubbl/distr/stampa",null,"Lexington : , : University Press of Kentucky, , [2016]"]
[{"$nulls":4},"©2016"]
[null,null,"ISBN",null,"0-8131-6709-4"]
[{"$nulls":4},"0-8131-6707-8"]
[{"$nulls":4},"0-8131-6708-6"]
[null,null,"Descrizione fisica",null,"1 online resource (243 p.)"]
[null,null,"Collana",null,"Asia in the new millennium"]
[null,null,"Disciplina",null,"791.430951"]
[null,null,"Soggetti",null,"Motion picture industry - China - History - 21st century"]
[{"$nulls":4},"Motion pictures - Political aspects - China - History and criticism"]
[{"$nulls":4},"Motion pictures industry - United States - History - 21st century"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Introduction -- Cultural policy as negotiation of power: the Chinese state's role and strategies in its tug-of-war with global Hollywood -- The debate about Hollywood -- The film industry as negotiation of space -- Artistic and critical cinema under a triple threat: marketization, Hollywoodization, and state censorship -- Chinese martial arts cinema in the twenty-first century: hybridity and soft power -- Conclusion: the Chinese state, Hollywood, and postsocialist modernity."]
[null,null,null,"Sommario/riassunto","This work explores the global-local interplay through the case study of the People's Republic of China's encounter with global Hollywood from the mid-1990s to 2013. It analyzes the changing role of the Chinese state and its evolving cultural policy; investigates the intertwined relationships among the Chinese state, global capital, and local dynamics; and examines the impact of this encounter on the Chinese film sector's radical transformation from a Soviet-style planned economy and state ownership model to a market-oriented cultural industry."]