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[null,"1.","Record Nr.",null,"UNINA9910824465603321"]
[null,null,"Autore",null,"McDonnell Hugh"]
[null,null,"Titolo",null,"Europeanising spaces in Paris, c. 1947-1962 / / Hugh McDonnell"]
[null,null,"Pubbl/distr/stampa",null,"Liverpool : , : Liverpool University Press, , 2016"]
[null,null,"ISBN",null,"1-78138-406-1"]
[{"$nulls":4},"1-78138-458-4"]
[null,null,"Descrizione fisica",null,"1 online resource (289 pages) : digital, PDF file(s)"]
[null,null,"Disciplina",null,"944/.361081"]
[null,null,"Soggetti",null,"Public spaces - France - Paris - History - 20th century"]
[{"$nulls":4},"Coffeehouses - France - Paris - History - 20th century"]
[{"$nulls":4},"Home - France - Paris - History - 20th century"]
[{"$nulls":4},"Street life - France - Paris - History - 20th century"]
[{"$nulls":4},"Political culture - France - Paris - History - 20th century"]
[{"$nulls":4},"Paris (France) Social life and customs 20th century"]
[{"$nulls":4},"Paris (France) Intellectual life 20th century"]
[{"$nulls":4},"Paris (France) Relations Europe"]
[{"$nulls":4},"Europe Relations France Paris"]
[{"$nulls":4},"Paris (France) Politics and government 1945-"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Title from publisher's bibliographic system (viewed on 25 Jan 2018)."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Acknowledgements List of Figures Introduction: Europeanising Spaces in Paris, ca. 1947-1962 Section 1. Paris as a Europeanising Space Chapter 1. The Paris Cafe as a Europeanising Space Chapter 2. The Paris Home as a Europeanising Space Chapter 3. The Paris Street as a Europeanising Space Section 2. Political Europeanising Spaces in Paris Chapter 4. Europeanising Spaces and the Mouvement socialiste des etats-unis d'Europe, ca. 1947-1954 Chapter 5. Europeanising Spaces and the Federation des etudiants nationalistes 1960-1963 Section 3. Cultural Europeanising Spaces in Paris Chapter 6. Cultural Europeanising Spaces of Spanish Exiles in Paris Chapter 7. Europeanising Spaces in the Work of Jacques Berque Chapter 8. Europeanising Spaces in the Work of Henri Cartier-Bresson, 1948-1955 Conclusion Bibliography"]
[null,null,null,"Sommario/riassunto","In the wake of the Second World War, ideas of Europe abounded. What did Europe mean as a concept, and what did it mean to be European? Europeanising Spaces in Paris, c. 1947-1962 makes the case that Paris "]
[{"$nulls":4},"was both a leading and distinctive forum for the expression of these ideas in the post-war period. It examines spaces in the French capital in which ideas about Europe were formulated, articulated, exchanged, circulated, and contested during this post-war period, roughly between the escalation of the Cold War and the end of France's war of decolonisation in Algeria<br>Such processes of making sense of Europe are elucidated in urban, political and cultural spaces in the French capital. Specifically, the Parisian café, home and street are each examined in terms of how they were implicated in ideas about Europe. Then, the Paris-based <i>Mouvement socialiste des états unis d'Europe</i> (The Socialist Movement for the United States of Europe) and the far-right wing <i>Fédération des étudiants nationalistes</i> (The Federation of Nationalist Students) are examined as examples of political movements that mobilised around - very different - concepts of Europe. The final section on cultural Europeanising spaces draws attention to the specificities of the Europeanism of exiles from Franco's Spain in Paris; the work of the great scholar of the Arab world, Jacques Berque, in the context of his understanding of the Mediterranean world and his understanding of faith; and finally, the work of the legendary photographer, Henri Cartier-Bresson, by looking at the capacities and limitations of the photographic medium for the representation of Europe, and how these corresponded with Cartier-Bresson's political, social, and aesthetic commitments."]