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[null,"1.","Record Nr.",null,"UNINA990001705740403321"]
[null,null,"Autore",null,"Smirnov, V. F."]
[null,null,"Titolo",null,"Novie sorta costockovix cultur, viviedennie v SSSR... / V. F. Smirnov"]
[null,null,"Pubbl/distr/stampa",null,"Moskva : \"Nauka\", 1969"]
[null,null,"Descrizione fisica",null,"259 p., 64 tav. ; 24 cm"]
[null,null,"Disciplina",null,"634.3"]
[null,null,"Locazione",null,"FAGBC"]
[null,null,"Collocazione",null,"60 634.3 B 18"]
[null,null,"Lingua di pubblicazione",null,"Russo"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Testo in lingua russa"]
[null,"2.","Record Nr.",null,"UNINA9910824193503321"]
[null,null,"Autore",null,"Herrmann Britta"]
[null,null,"Titolo",null,"Über den Menschen als Kunstwerk : zu einer Archäologie des (Post-)Humanen im Diskurs der Moderne (1750-1820) / / Britta Herrmann"]
[null,null,"Pubbl/distr/stampa",null,"Paderborn : , : Wilhelm Fink, , [2018]"]
[{"$nulls":4},"©2018"]
[null,null,"ISBN",null,"3-8467-5970-8"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource"]
[null,null,"Disciplina",null,"830.9006"]
[null,null,"Soggetti",null,"German literature - 19th century - History and criticism"]
[{"$nulls":4},"German literature - 18th century - History and criticism"]
[{"$nulls":4},"Philosophical anthropology"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,null,"Sommario/riassunto","Seit der Aufklärung entwirft sich der Mensch als ein durch Technik, Wissenschaft und Kunst erst noch zu vollendendes Wesen. Welchen Anteil hat die Literatur an diesem Optimierungsprogramm? Mit Blick auf zeitgenössische Überlegungen zur elektrischen und medialen Steuerung der Körperströme, auf Züchtungs- und Reproduktionsexperimente, prothetische Optimierungen und technische Körpersimulationen rekonstruiert Britta Herrmann die Geschichte der ›Erfindung des Menschen‹ im Verhältnis zwischen Naturforschung, Philosophie, technischen Entwicklungen und poetologisch-ästhetischen Diskursen. Bereits in der scheinbar humanistischen Aufklärung produziert das Optimierungsdenken posthumane Körper und Identitäten. Teil daran haben nicht zuletzt die ästhetischen Programme von Klassizismus und Romantik, welche spezifisch an der Hervorbringung des künftigen Menschen arbeiten und ihre Poetiken gezielt danach ausrichten."]