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[null,"1.","Record Nr.",null,"UNINA990006780530403321"]
[null,null,"Autore",null,"Marx, Karl <1818-1883>"]
[null,null,"Titolo",null,"L'Internazionale operaia / Karl Marx"]
[null,null,"Pubbl/distr/stampa",null,"Roma : Editori riuniti, 1993"]
[null,null,"Descrizione fisica",null,"XVI, 80 p. ; 17 cm"]
[null,null,"Collana",null,"I piccoli"]
[null,null,"Disciplina",null,"324.17"]
[null,null,"Locazione",null,"FSPBC"]
[{"$nulls":4},"DECSE"]
[null,null,"Collocazione",null,"XIV H 231"]
[{"$nulls":4},"SE MIS.85.09-"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910824170703321"]
[null,null,"Autore",null,"Witelson David Mendel"]
[null,null,"Titolo",null,"A painted ridge : rock art and performance in the Maclear District, Eastern Cape Province, South Africa / / David Mendel Witelson"]
[null,null,"Pubbl/distr/stampa",null,"Oxford, England : , : Archaeopress Publishing Limited, , [2019]"]
[{"$nulls":4},"©2019"]
[null,null,"ISBN",null,"1-78969-245-8"]
[null,null,"Descrizione fisica",null,"1 online resource (164 pages)"]
[null,null,"Collana",null,"Cambridge Monographs in African Archaeology ; ; v.98"]
[null,null,"Disciplina",null,"709.01130968757"]
[null,null,"Soggetti",null,"Rock paintings - South Africa - Maclear"]
[{"$nulls":4},"San (African people) - Antiquities"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,"Nota di contenuto",null,"Intro -- ABSTRACT -- ACKNOWLEDGEMENTS -- CONTENTS -- LIST OF FIGURES -- PREFACE -- CHAPTER 1: A PAINTED RIDGE -- The problem with 'sites' -- An overview of previous Maclear District rock art research -- Ethnographic analogy and San performance -- Documenting the MR sites -- Recording MR rock art -- Digital enhancements -- Enhancing the MEL ridge -- From observations to theory -- CHAPTER 2: PERFORMANCE THEORY -- Performance Studies and South African rock art research -- Performance Studies -- Performance -- Ritual -- Performativity -- The ethnography of performance -- A Kaluli séance -- San expressive culture and performances -- From theory to ethnography -- CHAPTER 3: DANCING AND PAINTING-A PERFORMATIVE DYAD? -- Trancing with friends, dancing with death -- Interactions during a trance dance -- The dancers and the women who clap and sing -- Dancers, participants, and the dance fire -- N|om seekers and masters -- Masters and other masters -- Dancers and spirits-of-the-dead -- Special curing ceremonies -- From dancing to painting -- CHAPTER 4: BEHIND THE SCENES -- The process behind image-making -- The four stages -- Acquisition of imagery -- Manufacture of paint -- Making rock paintings -- Using rock paintings -- From ritual process to interactive images -- CHAPTER 5: PAINTED AND IMPLIED INTERACTIONS -- Interactions between image-makers and the rock face -- Depressions and containment -- Cracks, steps and edges -- Idiosyncratic uses of the rock face -- From simple interaction to complex interactions -- Interactions between image-makers and images on the rock face -- Interactions between image-makers and "]
[{"$nulls":4},"animals -- Interactions between image-makers and spirits-of-the-dead -- Interactions between the viewers and the images -- Summary -- CHAPTER 6: SHELTERED PERFORMANCES -- The criteria for image-making performances -- Who actually made the images?."]
[{"$nulls":4},"The ritual of image-making performances -- Reality, non-reality and the social construction of reality -- Image-makers and failure -- Summary -- CHAPTER 7: COMING TO TERMS WITH DIFFERENCES AND SIMILARITIES -- Limitations -- Insights from performance theory and future directions -- APPENDICES -- APPENDIX A: SITE MEASUREMENTS -- APPENDIX B: SCHEMATIC DIAGRAMS -- APPENDIX C: IMAGE COUNTS -- APPENDIX D: DIGITAL ENHANCEMENT PROCEDURES -- PROCEDURE 1 -- PROCEDURE 2 -- References."]
[null,null,null,"Sommario/riassunto","This book explores a suite of spatially close San (Bushmen) rock painting sites in the Maclear District of South Africa's Eastern Cape Province. As a suite, the sites are remarkable because, despite their proximity to each other, they share patterns of similarity and simultaneous difference."]