{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":1,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":17,"n_cols":5,"rows_kept":17,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[5,2,5,3],[6,2,6,3],[7,2,7,3],[8,2,8,3],[12,2,12,3],[13,2,13,3],[16,2,16,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910822415203321"]
[null,null,"Autore",null,"Harrison Chloe"]
[null,null,"Titolo",null,"Cognitive grammar in contemporary fiction / / Chloe Harrison"]
[null,null,"Pubbl/distr/stampa",null,"Amsterdam, [Netherlands] ; ; Philadelphia, [Pennsylvania] : , : John Benjamins Publishing Company, , 2017"]
[{"$nulls":4},"©2017"]
[null,null,"Descrizione fisica",null,"1 online resource (176 pages) : illustrations"]
[null,null,"Collana",null,"Linguistic Approaches to literature, , 1569-3112 ; ; 26"]
[null,null,"Disciplina",null,"415.01835"]
[null,null,"Soggetti",null,"Cognitive grammar"]
[{"$nulls":4},"Discourse analysis, Literary"]
[{"$nulls":4},"Creativity (Linguistics)"]
[{"$nulls":4},"Stylists"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Introduction -- Cognitive grammar : an overview -- Action chains and grounding in Enduring Love -- The reference point model : tracking character roles in The New York Trilogy -- Interrelated references and fictional world elaboration in Coraline -- Mind-modelling perspective in 'Great Rock and Roll Pauses' -- Scanning the compositional path of 'Here We Aren't, So Quickly -- Conclusion."]