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[null,"1.","Record Nr.",null,"UNINA9910822240003321"]
[null,null,"Titolo",null,"Russian TV Series in the Era of Transition : Genres, Technologies, Identities / / edited by Alexander Prokhorov, Elena Prokhorova, and Rimgaila Salys"]
[null,null,"Pubbl/distr/stampa",null,"Boston : , : Academic Studies Press, , [2021]"]
[{"$nulls":4},"©2021"]
[null,null,"ISBN",null,"1-64469-646-0"]
[{"$nulls":4},"1-64469-645-2"]
[null,null,"Descrizione fisica",null,"1 online resource (278 pages)"]
[null,null,"Collana",null,"Film and Media Studies"]
[null,null,"Disciplina",null,"791.450947"]
[null,null,"Soggetti",null,"Television broadcasting - Russia (Federation) - History"]
[{"$nulls":4},"Television series - Russia (Federation) - History and criticism"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Frontmatter -- Contents -- Note on Transliteration -- Introduction -- The Cultural Euphemism of Kul′tura: Soviet Nostalgia on the Russia-K Channel -- The Great Patriotic Serial: Penal Battalion (Shtrafbat), Historical Taboos, and the Beginnings of the New National Idea -- Orlova and Aleksandrov Redux: The TV Series -- Putin-Era Television Productions about Catherine the Great: Active Measures as Period Drama -- Between Pornography and Nostalgia: Valery Todorovsky’s The Thaw (Ottepel′) -- The State of Affairs: Screwing Family Values in Putin’s Russia -- Glocalizing Neo-Noir: Iury Bykov’s The Method and Sleepers -- Queer Families: Gender, Sexuality, and the Neoliberal State on Russian Television -- The Web Series Bitches (Stervochki) and Post-Legacy Television in Russia -- Interviews -- Television Producer and Showrunner -- Producer and Studio Executive -- Scriptwriter and Film Critic -- Director and Scriptwriter -- Producer, Showrunner, and Scriptwriter -- Contributors -- Index"]
[null,null,null,"Sommario/riassunto","This book examines major Russian TV series focusing on three major issues: Russian television's transition to digital post-broadcast visual economy, Russian television's integration into global television markets and their genre systems, and major shifts in representation of gender and sexuality on television."]