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[null,"1.","Record Nr.",null,"UNINA9910820989303321"]
[null,null,"Titolo",null,"Russian émigré culture : conservatism or evolution? / / edited by Christoph Flamm, Henry Keazor and Roland Marti"]
[null,null,"Pubbl/distr/stampa",null,"Newcastle upon Tyne, England : , : Cambridge Scholars Publishing, , 2013"]
[{"$nulls":4},"© 2013"]
[null,null,"ISBN",null,"1-4438-6366-1"]
[null,null,"Descrizione fisica",null,"1 online resource (353 p.)"]
[null,null,"Disciplina",null,"780.947"]
[null,null,"Soggetti",null,"Music - Soviet Union - History and criticism"]
[{"$nulls":4},"Russians - Foreign countries"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Includes index."]
[null,null,"Nota di contenuto",null,"TABLE OF CONTENTS; PREFACE; \"MY LOVE, FORGIVE ME THIS APOSTASY\"; SECTION 1; THE PARTICIPATION OF RUSSIAN PRE-REVOLUTIONARY DIPLOMATS IN THE CULTURAL LIFE OF THE RUSSIAN EMIGRATION; [WHAT IS IT THAT THE EMIGRATION ENGENDERED?] -ANDREY BELY, VIKTOR SHKLOVSKY AND ALEKSEY TOLSTOY IN 'RUSSIAN BERLIN'1921-1923; UN ENFANT PRODIGE; SECTION 2; WHAT IS ARTISTIC FORM?MUNICH - MOSCOW 1900-1925; EL LISSITZKY, HIS BEAT THE WHITESWITH THE RED WEDGEAND THEIR JEWISH INSPIRATIONS; RUSSIAN ÉMIGRÉ ARTISTS IN SERBIA(1920-1950); IDENTITY-SHOCK; SECTION 3"]
[{"$nulls":4},"RUSSIAN COLLECTIVE IDENTITY IN EXILE AND MUSIC IN BERLIN 1917-1933 RUSSIAN MUSIC INSTITUTIONS IN BERLIN IN THE 1920's; \"SLAVIC CHARM AND THE SOUL OF TOLSTOY\"; STRAVINSKY'S SVADEBKA (1917-1923)AS THE QUINTESSENCE OF THE TECHNIQUE OF \"BUILDING BLOCKS\"; EURASIANISM IN PERSPECTIVE; MUSICAL MODERNISM IN THE MIRROR OF THE MYASKOVSKY-PROKOF'EV CORRESPONDENCE; VANKA THE HOUSEKEEPER BY NIKOLAY TCHEREPNIN AND LADY MACBETH BY DMITRY SHOSTAKOVICH; \"I HAVE NO COUNTRY, I HAVE NO PLACE\"; CONTEMPORARY ÉMIGRÉ COMPOSERS; ABSTRACTS; CONTRIBUTORS; INDEX"]
[null,null,null,"Sommario/riassunto","A quarter of a century ago, glasnost opened the door for a new look at Russian émigré culture unimpeded by the sterile concepts of Cold War cultural politics. Easier access to archives and a comprehensive approach to culture as a multi-faceted phenomenon, not restricted to "]
[{"$nulls":4},"single phenomena or individuals, have since contributed to a better understanding of the processes within the émigré community, of its links with the lost home country, and of the interaction with the cultural life of the c..."]