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[null,"1.","Record Nr.",null,"UNINA9910154350203321"]
[null,null,"Autore",null,"Wiebe Rudy"]
[null,null,"Titolo",null,"Extraordinary Canadians"]
[null,null,"Pubbl/distr/stampa",null,", : Penguin Canada, , 2008"]
[{"$nulls":4},"©2008"]
[null,null,"ISBN",null,"0-14-317270-0"]
[null,null,"Descrizione fisica",null,"1 online resource (140 pages)"]
[null,null,"Collana",null,"Extraordinary Canadians"]
[null,null,"Disciplina",null,"971.2004/973230092"]
[null,null,"Soggetti",null,"Big Bear (Cree chief)"]
[{"$nulls":4},"Cree Indians--Prairie Provinces--History"]
[{"$nulls":4},"Cree Indians--Kings and rulers--Biography"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910820358003321"]
[null,null,"Autore",null,"Pereira-Muro Carmen"]
[null,null,"Titolo",null,"Género, nación y literatura : Emilia Pardo Bazán en la literatura gallega y española / / Carmen Pereira-Muro"]
[null,null,"Pubbl/distr/stampa",null,"West Lafayette, Ind., : Purdue University Press, 2013"]
[null,null,"ISBN",null,"1-61249-243-6"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (320 p.)"]
[null,null,"Collana",null,"Purdue studies in Romance literatures ; ; v. 56"]
[null,null,"Disciplina",null,"863/.5"]
[null,null,"Soggetti",null,"Nationalism and literature - Spain"]
[{"$nulls":4},"Nationalism and literature - Spain - Galicia (Region)"]
[{"$nulls":4},"Feminism and literature - Spain"]
[{"$nulls":4},"Feminism and literature - Spain - Galicia (Region)"]
[{"$nulls":4},"Spain Intellectual life 19th century"]
[{"$nulls":4},"Spain Intellectual life 20th century"]
[{"$nulls":4},"Galicia (Spain : Region) Intellectual life 19th century"]
[{"$nulls":4},"Galicia (Spain : Region) Intellectual life 21st century"]
[null,null,"Lingua di pubblicazione",null,"Spagnolo"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. 199-217) and index."]
[null,null,"Nota di contenuto",null,"Cover -- Copyright -- Contents -- Introducción -- Capítulo uno: Emilia Pardo Bazán en el nacionalismo cultural de la generación de 1868 -- Capítulo dos: Emilia Pardo Bazán en la literatura gallega -- Capítulo tres: Mujer, nación y literatura: Emilia Pardo Bazán yel proyecto de novela nacional del realismo -- Capítulo cuatro: La problematización del proyecto nacional realista en la novela modernista de Pardo Bazán: Hacia una escritura y canon nacional \"femeninos -- Conclusiones -- Notas -- Obras citadas -- Índice alfabético."]
[null,null,null,"Sommario/riassunto","Lugar de Emilia Pardo Bazán en la literatura española y gallega se ha ganado duro, y ella todavía no ha recibido el reconocimiento que se merece. En Género , Nación y literatura : Emilia Pardo Bazán en la literatura gallega y española , Carmen Pereira -Muro estudia la obra y personalidad de este fascinante autor en el contexto de los nacionalismos que compiten español y gallego . Ella vuelve a leer las historias literarias y cánones nacionales de España y Galicia como narrativas patriarcales que luchan para asimilar o silenciar proyecto nacional alternativo de Pardo Bazán .Pereira -Muro sostiene que Pardo Bazán postuló la inclusión de las mujeres en la cultura nacional como "]
[{"$nulls":4},"un paso clave para eludir la lógica representacional detrás de realismo y el liberalismo en el estado -nación moderno . Al insistir en que las mujeres deben ser socios iguales, Pardo Bazán adoptó problemáticamente el binarismo patriarcal que asigna a la mujer a la naturaleza y los hombres a la cultura , pero también subvierte que al negar su relación complementaria. Su elección astuta y manipulación de modelos culturales masculinos ( Realismo , no Romanticismo ; prosa, no la poesía ; lengua castellana , no gallego) en última instancia, su - a pesar de la feroz oposición ganaron inclusión en el canon nacional español . Por otra parte, el estudio de sus relaciones con espinosos emergente nacionalismo gallego muestra que su exclusión de la \" literatura gallega \" se debió en gran parte a su actuación transgresora género. Finalmente Pereira -Muro sostiene que en la última novela del autor, Pardo Bazán experimentó con la creación de una escritura femenina y una femenina canon para España . Sin embargo , la política de género predominantes aseguraron que sólo su producción realista (masculino ) lo hizo en el canon español , y no este último modernista escrito, ( femenino).En conclusión , este libro cuestiona la naturalización de los cánones nacionales por el descubrimiento de las políticas de género detrás de lo que se echa determinada como natural por idiomas y geografía. Hacer esto también expone a las restricciones de género paralelas en el trabajo detrás aparentemente opuestos central ( español ) y ( Galicia ) proyectos nacionales periféricos.Emilia Pardo Bazan''s place in Spanish and Galician literatures has been hard won, and she has yet to receive the recognition she deserves. In Género, nación y literatura: Emilia Pardo Bazán en la literatura gallega y española, Carmen Pereira-Muro studies the work and persona of this fascinating author in the context of Spanish and Galician competing nationalisms. She re-reads the literary histories and national canons of Spain and Galicia as patriarchal master narratives that struggle to assimilate or silence Pardo Bazán''s alternative national project. Pereira-Muro argues that Pardo Bazán posited the inclusion of women in the national culture as a key step in circumventing the representational logic behind Realism and Liberalism in the modern nation-state. By insisting that women should be equal partners, Pardo Bazán problematically adopted the patriarchal binarism that assigns women to Nature and men to Culture, but she also subverted it by denying its supplemental relationship. Her astute choice and manipulation of masculine cultural models (Realism, not Romanticism; prose, not poetry; Castilian language, not Galician) ultimately won her-despite fierce opposition-inclusion in the Spanish national canon. Furthermore, the study of her thorny relations with emerging Galician nationalism shows that her exclusion from \"Galician literature\" was due largely to her transgressive gender performance. Finally Pereira-Muro contends that in the author''s last novel, Pardo Bazán experimented with creating a feminine writing and a feminine canon for Spain. Nevertheless, the prevailing gender politics ensured that only her realist (masculine) production made it into the Spanish canon, and not this last, modernist (feminine) writing. In conclusion, this book questions the naturalization of national canons by uncovering the gender politics behind what is cast as naturally determined by language and geography. Doing this also exposes the parallel gender strictures at work behind seemingly opposed central (Spanish) and peripheral (Galician) national projects."]