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[null,"1.","Record Nr.",null,"UNINA9910817981703321"]
[null,null,"Titolo",null,"Personification : embodying meaning and emotion / / edited by Walter S. Melion and Bart Ramakers"]
[null,null,"Pubbl/distr/stampa",null,"Leiden, Netherlands ; ; Boston, [Massachusetts] : , : Brill, , 2016"]
[{"$nulls":4},"©2016"]
[null,null,"ISBN",null,"90-04-31043-6"]
[null,null,"Descrizione fisica",null,"1 online resource (787 p.)"]
[null,null,"Collana",null,"Intersections, , 1568-1181 ; ; Volume 41"]
[null,null,"Disciplina",null,"809/.915"]
[null,null,"Soggetti",null,"Personification in literature"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references at the end of each chapters and index."]
[null,null,"Nota di contenuto",null,"Preliminary Material -- Personification: An Introduction / Walter S. Melion and Bart Ramakers -- 1 Personification Allegory and Embodied Cognition / Jean Bocharova -- 2 Dante and St. Francis: Shaping Lives, Reshaping Allegory / Jeremy Tambling -- 3 Personification, Power, and the Body in Late Medieval and Early Modern English Poetry / William Rhodes -- 4 The Personification of the Human Subject in Spenser’s The Faerie Queene / Brenda Machosky -- 5 Framework, Personification, and Pisanello’s Poetics / C. Jean Campbell -- 6 The Triumph of Truth in an Age of Confessional Conflict / James Clifton -- 7 The Mystical Experience—Between Personification and Incarnation: The Idea vitae Teresianae iconibus symbolicis expressa (Antwerp, Jacob Mesens: 1680s) / Ralph Dekoninck -- 8 From the Parade to the Stage: Evolution and Significance of Personifications in Lyon’s Sotties (1566–1610) / Katell Lavéant -- 9 Personification in Sir David Lyndsay’s A Satire of the Three Estates / Greg Walker -- 10 Both One and the Other: The Educational Value of Personification in the Female Humanist Theatre of Peeter Heyns (1537–1598) / Alisa van de Haar -- 11 Dirty from Behind, Pearly in Front: Lady World in Rhetoricians’ Drama / Bart Ramakers -- 12 Mute Poem, Speaking Picture: The Personification of the Paragone in Shakespeare’s Timon of Athens / Jennifer A. Royston -- 13 The Politics of Personification in the Jacobean Lord Mayors’ Shows / Susan L. Anderson -- 14 Figured Personification and Parabolic Embodiment in Jan David’s Occasio arrepta, neglecta / Walter S. Melion -- 15 Double Meaning of Personification in Early Modern Thesis Prints of the Southern Low Countries: Between Noetic and Encomiastic "]
[{"$nulls":4},"Representation / Gwendoline de Mûelenaere -- 16 Vermeer, the Art of Meditation, and the Allegory of Faith / Aneta Georgievska-Shine -- 17 Personifications of Caritas as Reflexive Figures / Caecilie Weissert -- 18 Maarten van Heemskerck’s Caritas: Personifying Virtue, Animating Stone with Paint, Imaging the Image Debate / Arthur J. DiFuria -- 19 Abraham Bloemaert and Caritas: A Lesson in Perception / Caroline O. Fowler -- 20 The Duchess and the Cadaver: Doubling and Microarchitecture in Late Medieval Art (with Alice Chaucer and John Lydgate) / Elizabeth Fowler -- 21 ‘But You are Blind, and Know Not What is in You’: ‘A.L.’, The Fraudulent Judge, and the Coerced Conscience / June Waudby -- 22 Precarious Personification: Fortuna in the Artist’s Cabinet / Lisa Rosenthal -- 23 Producing the Legible Body: Personification, the Beholder, and Tiepolo’s Würzburg Frescos / Max Weintraub -- 24 The Personification of Africa with an Elephant-head Crest in Cesare Ripa’s Iconologia (1603) / Joaneath Spicer -- 25 The Four Continents in Seventeenth-Century Embroidery and the Making of English Femininity / Heather A. Hughes -- Index Nominum."]
[null,null,null,"Sommario/riassunto","Personification, or prosopopeia , the rhetorical figure by which something not human is given a human identity or ‘face’, is readily discernible in early modern texts and images, but the figure’s cognitive form and function, its rhetorical and pictorial effects, have rarely elicited sustained scholarly attention. The aim of this volume is to formulate an alternative account of personification, to demonstrate the ingenuity with which this multifaceted device was utilized by late medieval and early modern authors and artists in Italy, France, England, Scotland, and the Low Countries. Personification is susceptible to an approach that balances semiotic analysis, focusing on meaning effects, and phenomenological analysis, focusing on presence effects produced through bodily performance. This dual approach foregrounds the full scope of prosopopoeic discourse—not just the what, but also the how, not only the signified, but also the signifier."]
[null,"2.","Record Nr.",null,"UNINA9910819710703321"]
[null,null,"Autore",null,"Veszelszki Ágnes"]
[null,null,"Titolo",null,"Digilect : the impact of infocommunication technology on language / / Ágnes Veszelszki"]
[null,null,"Pubbl/distr/stampa",null,"Berlin, [Germany] ; ; Boston, [Massachusetts] : , : De Gruyter Saur, , 2017"]
[{"$nulls":4},"©2017"]
[null,null,"ISBN",null,"3-11-049713-1"]
[{"$nulls":4},"3-11-049911-8"]
[null,null,"Descrizione fisica",null,"1 online resource (356 pages)"]
[null,null,"Collana",null,"Knowledge & Information. Studies in Information Science"]
[null,null,"Disciplina",null,"428.00785"]
[null,null,"Soggetti",null,"English language - Study and teaching - Computer-assisted instruction"]
[{"$nulls":4},"Language and languages - Study and teaching - Technological innovations"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Frontmatter -- Contents -- Acknowledgements -- 1. Introduction: Infocommunications and Digilect -- 2. Digilect as Language Variety -- 3. Characteristic Features of Digilect -- 4. Digilect (and its Effects) based on the Findings of Two Questionnaire Surveys -- 5. The Impact of Digilect on non-digital Media According to Corpus Analysis Findings -- 6. Summary and conclusions. Directions for further research -- Annex 1 -- Annex 2 -- Annex 3 -- Annex 4 -- Annex 5 -- Annex 6 -- Annex 7 -- Annex 8 -- Annex 9 -- Annex 10 -- Annex 11 -- Annex 12 -- References -- Index"]
[null,null,null,"Sommario/riassunto","The high degree of internet penetration and its social (and linguistic) effects evidently influence how people, and especially the highly susceptible younger generations, use language. The primary aim of the book is not only to identify the characteristic features of the digital language variety (this has already been done by several works) but to examine how digital communication affects the language of other mediums of communication: orality, handwritten texts, digitally created but not digitally perceived, that is printed texts, including in particular advertisements (which quickly respond to linguistic change). Naturally, the book presents the characteristics of the digital language variety (and coins the term digilect) but only to give a framework to the impact analysis. It is important to document changes in progress and thus direct attention to potential outcomes. The current linguistic change is "]
[{"$nulls":4},"different from previous ones primarily in its speed and form of spreading, and it not only brings innovative grammatical forms and writing/spelling solutions but may also have far-reaching cultural and educational consequences in the long run."]
[null,"3.","Record Nr.",null,"UNINA9910154758203321"]
[null,null,"Autore",null,"La Taille Jean de <1533?-1611 or 12.>"]
[null,null,"Titolo",null,"The rivals : Les corrivaus / / Jean de la Taille ; translated with an introduction and notes by H.P. Clive"]
[null,null,"Pubbl/distr/stampa",null,"Waterloo, Ont., Canada, : Wilfrid Laurier University Press, 1981"]
[null,null,"ISBN",null,"1-282-23360-2"]
[{"$nulls":4},"9786613811349"]
[{"$nulls":4},"0-88920-587-6"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (93 p.)"]
[null,null,"Collana",null,"Carleton Renaissance plays in translation, , 0704-4569"]
[null,null,"Disciplina",null,"842/.3"]
[null,null,"Soggetti",null,"French fiction"]
[{"$nulls":4},"French literature"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Translation of: Les corrivaus."]
[null,null,null,"Nota di bibliografia","Includes bibliography: p. xxx-xxxii."]
[null,null,"Nota di contenuto",null,"\"\"Carleton Renaissance Plays in Translation\"\"; \"\"Acknowledgements\"\"; \"\"Introduction\"\"; \"\"The Rivals\"\"; \"\"Prologue\"\"; \"\"ACT I\"\"; \"\"ACT II\"\"; \"\"ACT III\"\"; \"\"ACT IV\"\"; \"\"ACT V\"\"; \"\"Notes to the play\"\""]
[null,null,null,"Sommario/riassunto","Jean de La Taille's play Les Corrivaus is the comical story of the rivalry between Filadelfe and Euverte for the lovely Fleurdelys. Difficulties are resolved symmetrically, and matrimony is the order at the end of the day—though, in the best Renaissance tradition, the difficulties had appeared grave indeed. The play should appeal to anyone interested in the theatre, but it is of considerable importance to historians of Renaissance drama, since it is generally accepted as the earliest surviving French humanist comedy written in prose, and the first to be based on Italian models. In particular, La Taille draws heavily upon Le Maçon's translation of Boccaccio's Decameron. The play also amplifies understanding of numerous conventions of Renaissance drama—especially those related to stagecraft, plot, and thematic treatment—yet La Taille transcends mere conventionality in his skilled treatment of character and plot. He also manages to accomplish his didactic purpose, informing his audience of the foibles of lovers, with a minimum of sententious moralizing."]