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[null,"1.","Record Nr.",null,"UNISA996392970103316"]
[null,null,"Autore",null,"Fowler Christopher <1610?-1678.>"]
[null,null,"Titolo",null,"A sober answer to an angry epistle [[electronic resource] ] : directed to all the publick teachers in this nation, and prefixed to a book, called (by an antiphrasis) Christs innocency pleaded against the cry of the chief priests. Written in hast by Thomas Speed, once a publick teacher himself, and since revolted from that calling to merchandize, and of late grown a merchant of soules, trading subtilly for the Quakers in Bristoll. Wherein the jesuiticall equivocations and subtle insinuations, whereby he endeavours secretly to infuse the whole venome of Quaking doctrines, into undiscerning readers, are discovered; a catlogue of the true and genuine doctrines of the Quakers is presented, and certaine questions depending between us and them, candidly disputed, / / by [brace] Christopher Fowler & Simon Ford, [brace] ministers of the Gospel in Reding"]
[null,null,"Pubbl/distr/stampa",null,"London, : Printed for Samuel Gellibrand, at the Ball in Pauls Church Yard, 1656"]
[null,null,"Descrizione fisica",null,"[4], 76 p"]
[null,null,"Soggetti",null,"Society of Friends"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","A reply to: Speed, Thomas.  Christ's innocency pleaded against the cry of the chief priests, or, a reply unto certain papers received from William Thomas."]
[{"$nulls":4},"Annotation on Thomason copy: \"June 29\"."]
[{"$nulls":4},"Reproduction of the original in the British Library."]
[null,null,null,"Sommario/riassunto","eebo-0018"]
[null,"2.","Record Nr.",null,"UNISA996543372603316"]
[null,null,"Autore",null,"Utz Christian"]
[null,null,"Titolo",null,"Unerhörte Klänge : zur performativen Analyse und Wahrnehmung posttonaler Musik und ihren historischen Voraussetzungen / / Christian Utz"]
[null,null,"Pubbl/distr/stampa",null,"Baden-Baden : , : Georg Olms Verlag, , 2023"]
[null,null,"ISBN",null,"3-487-42366-9"]
[null,null,"Descrizione fisica",null,"1 online resource (490 pages) : illustrations"]
[null,null,"Collana",null,"Studien und Materialien zur Musikwissenschaft, , 0176-0033 ; ; Band 125"]
[null,null,"Disciplina",null,"780.15"]
[null,null,"Soggetti",null,"Music appreciation"]
[{"$nulls":4},"Musical analysis"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (pages 433-478) and index."]
[null,null,null,"Sommario/riassunto","Das Buch versucht ein in der Musik des 20. und 21. Jahrhunderts zunehmend an Bedeutung gewinnendes Verständnis von \"Musik als Wahrnehmungskunst\" (Helmut Lachenmann) für die Musikwissenschaft fruchtbar zu machen: Die ineinander verschränkten Konzepte der performativen Analyse und des performativen Hörens rücken Wahrnehmungsprozesse ins Zentrum musikologischer Methodik. Zum einen wird dabei die zentrale Stellung von Klang, Zeit und Raum in der neuen Musik seit 1900 in breite musikhistorische und -ästhetische Diskurse eingebettet, zum anderen wird mit dem Prinzip der musikalischen Morphosyntax klangliche Materialität als Ausgangspunkt hörend-analytischer Aktivität begriffen. Wahrnehmung posttonaler Musik ist als performative Aktivität durch die Erfahrungen des Alltags- und Musikhörens vielfältig ausgestaltbar und dabei durch eine Verflechtung von morphologischen und metaphorischen Schichten geprägt. Die Analysen werfen so neue Perspektiven auf ein breites Spektrum posttonaler Instrumentalmusik von Arnold Schönberg, Edgard Varèse, Giacinto Scelsi, Bernd Alois Zimmermann, György Ligeti, Pierre Boulez, Morton Feldman, György Kurtág, Helmut Lachenmann, Brian Ferneyhough, Gérard Grisey, Salvatore Sciarrino und Isabel Mundry."]
[null,"3.","Record Nr.",null,"UNINA9910819355603321"]
[null,null,"Autore",null,"Salters R. B."]
[null,null,"Titolo",null,"Jonah & Lamentations / / R.B. Salters"]
[null,null,"Pubbl/distr/stampa",null,"Sheffield, England : , : JSOT Press for the Society for Old Testament Study, , [1994]"]
[{"$nulls":4},"©1994"]
[null,null,"ISBN",null,"1-283-19991-2"]
[{"$nulls":4},"9786613199911"]
[{"$nulls":4},"0-567-47505-0"]
[null,null,"Descrizione fisica",null,"1 online resource (126 p.)"]
[null,null,"Collana",null,"Old Testament guides"]
[null,null,"Disciplina",null,"224.306"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Contents; Acknowledgments; Abbreviations; Part I: Jonah; Part II: Lamentations; Index of Biblical References; Index of Authors"]
[null,null,null,"Sommario/riassunto","While the book of Jonah is, in some ways, unique, it stands firmly in the Old Testament tradition. There have been various suggestions as to genre, the most likely being the (short) didactic story; but the aim of the author is not easy to discern. The authenticity of Jonah's message to the Ninevites is stressed, as is their repentance, and Yahweh's mercy. The purpose of the book must lie in a combination of these themes. Lamentations is a neglected book, perhaps because it was associated with the book of Jeremiah and considered almost as an appendix. On the question of genre it has the closest"]