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[null,"1.","Record Nr.",null,"UNINA9910818752503321"]
[null,null,"Autore",null,"Briley Ron <1949->"]
[null,null,"Titolo",null,"The ambivalent legacy of Elia Kazan : the politics of the post-HUAC films / / Ron Briley"]
[null,null,"Pubbl/distr/stampa",null,"Lanham : , : Rowman & Littlefield, , [2017]"]
[{"$nulls":4},"©2017"]
[null,null,"ISBN",null,"1-4422-7168-X"]
[null,null,"Descrizione fisica",null,"1 online resource (277 pages)"]
[null,null,"Collana",null,"Film and history"]
[null,null,"Disciplina",null,"791.4302/33092"]
[null,null,"Soggetti",null,"Motion picture producers and directors - Political activity - United States"]
[{"$nulls":4},"Motion pictures - Political aspects - United States - History - 20th century"]
[{"$nulls":4},"Communism and motion pictures - United States"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Introduction: no regrets? -- Viva Zapata! (1952) and Cold War liberalism -- Kazan and the anticommunist film genre: Man on a tightrope (1953) -- The ambivalence of informing: On the waterfront (1954) -- Father and sons and the cost of pursuing the American Dream: East of Eden (1955) -- Sexuality and the new south: Baby doll (1956) -- A return to progressive principles and the shape of things to come: A face in the crowd (1957) -- Looking backward and the cost of progress: Wild river (1960) -- Anticipating the youth rebellion: Splendor in the grass (1960) -- The Anatolian smile and the immigrant experience: America America (1963) -- Rebelling against the arranged life: The arrangement (1969) -- The final films: The visitors (1971) and The last tycoon (1976)."]