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[null,"1.","Record Nr.",null,"UNINA9910283647203321"]
[null,null,"Autore",null,"Fox Wendy (Communication designer)"]
[null,null,"Titolo",null,"Can integrated titles improve the viewing experience? : investigating the impact of subtitling on the reception and enjoyment of film using eye tracking and questionnaire data / / Wendy Fox"]
[null,null,"Pubbl/distr/stampa",null,"Language Science Press, 2018"]
[{"$nulls":4},"Berlin, Germany : , : Language Science Press, , 2018"]
[{"$nulls":4},"©2018"]
[null,null,"ISBN",null,"9783961100651"]
[{"$nulls":4},"3961100659"]
[{"$nulls":4},"9783961100668"]
[{"$nulls":4},"3961100667"]
[null,null,"Descrizione fisica",null,"1 online resource (ii, 236 pages) : PDF, digital file(s)"]
[null,null,"Collana",null,"Translation and multilingual natural language processing ; 9"]
[null,null,"Disciplina",null,"777.55"]
[null,null,"Soggetti",null,"Motion pictures - Titling"]
[{"$nulls":4},"Television programs - Titling"]
[{"$nulls":4},"Closed captioning"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,null,"Sommario/riassunto","Historically a dubbing country, Germany is not well-known for subtitled productions. But while dubbing is predominant in Germany, more and more German viewers prefer original and subtitled versions of their favourite shows and films. Conventional subtitling, however, can be seen as a strong intrusion into the original image that can not only disrupt but also destroy the director’s intended shot composition and focus points. Long eye movements between focus points and subtitles decrease the viewer’s information intake, and especially German audiences, who are often not used to subtitles, seem to prefer to wait for the next subtitle instead of looking back up again. Furthermore, not only the placement, but also the overall design of conventional subtitles can disturb the image composition – for instance titles with a weak contrast, inappropriate typeface or irritating colour system. So should it not, despite the translation process, be possible to preserve both image and sound as far as possible? Especially given today’s numerous artistic and technical possibilities and the huge amount of "]
[{"$nulls":4},"work that goes into the visual aspects of a film, taking into account not only special effects, but also typefaces, opening credits and text-image compositions. A further development of existing subtitling guidelines would not only express respect towards the original film version but also the translator’s work."]
[null,"2.","Record Nr.",null,"UNINA9910148891703321"]
[null,null,"Autore",null,"Ali Mónica"]
[null,null,"Titolo",null,"Brick Lane"]
[null,null,"Pubbl/distr/stampa",null,"HarperCollins UK"]
[null,null,"ISBN",null,"0-00-721952-0"]
[null,null,"Disciplina",null,"823/.92"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Musica"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","This exciting and deeply moving debut novel follows the tumultuous life of Nazneen from her birth in a Bangladeshi village hut, to her arranged marriage to Chanu and the subsequent move to London's Tower HamletsNazneen's inauspicious entry to the world, an apparent stillbirth on the hard mud floor of a Bangladeshi village hut, imbues in her a sense of fatalism that she carries across continents when she is married off to Chanu. Her life in London's Tower Hamlets is, on the surface, calm. For years, keeping house and rearing children, she does what is expected of her. Yet Nazneen walks a tightrope stretched between her daughters' embarrassment and her husband's resentments. Chanu calls his elder daughter the little memsahib. 'I didn't ask to be born here,' say Shahana, with regular finality.Into that fragile peace walks Karim. He sets questions before her, of longing and belonging; he sparks in her a turmoil that reflects the community's own; he opens her eyes and directs her gaze - but what she sees, in the end, comes as a suprise to them both.While Nazneen journeys along her path of self-realization, a way haunted by her mother's ghost, her sister Hasina, back in Bangladesh, rushes headlong at her life, first making a 'love marriage', then fleeing her violent husband. Woven through the novel, Hasina's letters from Dhaka recount a world of overwhelming adversity. Shaped - yet ultimately not bound - by their landscapes and memories, both sisters struggle to dream themselves out of the rules prescribed for them.Beautifully rendered and, by turns, both comic and deeply moving, Brick Lane establishes Monica Ali as one of the most exciting new voices in fiction."]
[null,"3.","Record Nr.",null,"UNINA9910818225603321"]
[null,null,"Autore",null,"Marten James Alan"]
[null,null,"Titolo",null,"America's corporal : James Tanner in war and peace / / James Marten"]
[null,null,"Pubbl/distr/stampa",null,"Athens, Georgia : , : The University of Georgia Press, , 2014"]
[{"$nulls":4},"©2014"]
[null,null,"ISBN",null,"0-8203-4322-6"]
[null,null,"Descrizione fisica",null,"1 online resource (214 p.)"]
[null,null,"Collana",null,"Uncivil Wars"]
[null,null,"Disciplina",null,"362.4086/97092"]
[null,null,"Soggetti",null,"Soldiers - New York (State) - Schoharie County"]
[{"$nulls":4},"Disabled veterans - United States"]
[{"$nulls":4},"Amputees - United States"]
[{"$nulls":4},"Veterans - United States"]
[{"$nulls":4},"New York (State) History Civil War, 1861-1865 Biography"]
[{"$nulls":4},"United States History Civil War, 1861-1865 Biography"]
[{"$nulls":4},"Cobleskill (N.Y.) Biography"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Prologue: no regrets -- The war hit me and hit me hard: Jimmie Tanner's Civil War -- Living with disability: Jim Tanner reinvents himself -- Brooklyn days: becoming Corporal Tanner -- God help the surplus: Corporal Tanner and Civil War pensions -- The most celebrated GAR man in the world: legacies -- Epilogue and conclusion: the footless ghost."]
[null,null,null,"Sommario/riassunto","James Tanner may be the most famous person in nineteenth-century America that no one has heard of. During his service in the Union army, he lost the lower third of both his legs and afterward had to reinvent himself. After a brush with fame as the stenographer taking down testimony a few feet away from the dying President Abraham Lincoln in April 1865, Tanner eventually became one of the best-known men in Gilded Age America. He was a highly placed Republican operative, a popular Grand Army of the Republic speaker, an entrepreneur, and a celebrity. He earned fame and at least temporary fortune"]