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[null,"1.","Record Nr.",null,"UNINA9910510403503321"]
[null,null,"Autore",null,"Klingsöhr-Leroy Cathrin"]
[null,null,"Titolo",null,"Krieg als Opfer? : Franz Marc illustriert Gustave Flauberts Legende des Heiligen Julian / / Cathrin Klingsöhr-Leroy, Barbara Vinken"]
[null,null,"Pubbl/distr/stampa",null,"Paris, : Éditions de la Maison des sciences de l’homme, 2021"]
[null,null,"ISBN",null,"2-7351-2851-2"]
[null,null,"Descrizione fisica",null,"1 online resource (131 p.)"]
[null,null,"Collana",null,"Passerelles"]
[null,null,"Soggetti",null,"Arts &amp; Humanities"]
[{"$nulls":4},"art"]
[{"$nulls":4},"expressionnisme"]
[{"$nulls":4},"hagiographie"]
[{"$nulls":4},"iconographie"]
[{"$nulls":4},"illustration"]
[{"$nulls":4},"Légende de Saint Julien l'hospitalier"]
[{"$nulls":4},"Légende dorée"]
[{"$nulls":4},"Première Guerre mondiale"]
[{"$nulls":4},"saint"]
[{"$nulls":4},"XIXe siècle"]
[{"$nulls":4},"XXe siècle"]
[{"$nulls":4},"guerre"]
[{"$nulls":4},"19. Jahrhundert"]
[{"$nulls":4},"20. Jahrhundert"]
[{"$nulls":4},"Deutschland"]
[{"$nulls":4},"Frankreich"]
[{"$nulls":4},"Europa"]
[{"$nulls":4},"Erster Weltkrieg"]
[{"$nulls":4},"Kunst"]
[{"$nulls":4},"Kunstgeschichte"]
[{"$nulls":4},"Literatur"]
[{"$nulls":4},"Malerei"]
[{"$nulls":4},"Illustration"]
[{"$nulls":4},"Religion"]
[{"$nulls":4},"Heiligengeschichte"]
[{"$nulls":4},"Krieg"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Ce livre est le premier à réunir La Légende de saint Julien l’Hospitalier (1877) de Gustave Flaubert et les illustrations dont Franz Marc avait le projet. Des traces de la lecture de Flaubert se décèlent très tôt dans l’oeuvre du peintre allemand. Sa lithographie du chevreuil mourant sous les flèches, élaborée en 1908, est inspirée par la fameuse scène de chasse du récit. À partir de 1913, Marc s’intéresse de nouveau au « conte » de Flaubert, avec l’intention de l’illustrer. Dans son carnet d’esquisses, il réalise une série de dessins et d’aquarelles qu’il conclut avec une étude préparatoire pour sa toile Destins d’animaux.  La lecture du Saint Julien l’Hospitalier a été cruciale pour Marc. Elle a fondé son regard sur le monde. Le peintre superpose la figure du chasseur de Flaubert à celle du guerrier et établit un lien direct entre la chasse, l’apocalypse et la guerre. Avant même le premier conflit mondial, La Légende et son massacre cosmique sur lequel se lève un ciel ensanglanté incitent Marc à interpréter la guerre comme un sacrifice barbare, nécessaire à la rédemption de l’Europe et de l’humanité.  Zum ersten Mal ist in diesem Buch Gustave Flauberts Légende de saint Julien l’hospitalier mit den Illustrationen Franz Marcs zusammengebracht. Schon früh lassen sich Spuren der Lektüre in Marcs Werk ausmachen. Die 1908 entstandene Lithografie des Rehs, das im Pfeilhagel stirbt, ist durch die berühmte Jagdszene der Novelle inspiriert. Seit 1913 befasste sich der Maler wieder mit Flauberts Text in der Absicht, ihn zu illustrieren. In einem Skizzenbuch fertigte er Zeichnungen und Aquarelle, die er mit dem Entwurf für das Gemälde Tierschicksale abschloss.  Für Franz Marc war die Lektüre von Flauberts Legende zentral. Sie grundierte seinen Blick auf die Welt. Marc überlagert die Figur des Flaubert‘schen Jägers durch die des Kriegers und stellt Jagd, Apokalypse und Krieg in einen direkten Zusammenhang. Die Legende mit ihrer kosmischen Abschlachterei, über der ein…"]
[null,"2.","Record Nr.",null,"UNINA9910815433003321"]
[null,null,"Autore",null,"George Sam, Dr."]
[null,null,"Titolo",null,"Botany, sexuality and women's writing, 1760-1830 : from modest shoot to forward plant / / Sam George"]
[null,null,"Pubbl/distr/stampa",null,"Manchester, UK : , : Manchester University Press, , 2017"]
[{"$nulls":4},"©2007"]
[null,null,"ISBN",null,"1-5261-3017-3"]
[null,null,"Edizione",null,"[Paperback edition.]"]
[null,null,"Descrizione fisica",null,"1 online resource (ix, 261 pages) : illustrations; digital file(s)"]
[null,null,"Disciplina",null,"809.9355808209033"]
[null,null,"Soggetti",null,"Botanical literature - Authorship - History - 18th century"]
[{"$nulls":4},"Botanical literature - History and criticism"]
[{"$nulls":4},"Plants, Sex in"]
[{"$nulls":4},"Women botanists - History - 18th century"]
[{"$nulls":4},"Botany in literature - History - 18th century"]
[{"$nulls":4},"Literature"]
[{"$nulls":4},"Literary Theory"]
[{"$nulls":4},"LITERARY CRITICISM / European / English, Irish, Scottish, Welsh`"]
[{"$nulls":4},"Ireland"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"List of figures -- Acknowledgements -- Introduction -- 1. 'The Sweet Flowers that Smile in the Walk of Man': floral femininity and female education -- 2. 'Unveiling the mysteries of vegetation': botany and the feminine -- 3. Sex, class and order in Flora's army -- 4. Forward plants and wanton women: botany and sexual anxiety in the late eighteenth century -- 5. 'Botany in an English dress': British flora and the 'fair daughters of Albion' -- Conclusion -- Appendices: Botanical poems by women -- Bibliography -- Index"]
[null,null,null,"Sommario/riassunto","In this fascinating study, Samantha George explores the cultivation of the female mind and the feminised discourse of botanical literature in eighteenth-century Britain. In particular, she discusses British women's engagement with the Swedish botanist, Carl Linnaeus, and his unsettling discovery of plant sexuality. Previously ignored primary texts of an extraordinary nature are rescued from obscurity and assigned a proper place in the histories of science, eighteenth-century literature, and women's writing. The result is groundbreaking: the author explores "]
[{"$nulls":4},"nationality and sexuality debates in relation to botany and charts the appearance of a new literary stereotype, the sexually precocious female botanist. She uncovers an anonymous poem on Linnaean botany, handwritten in the eighteenth century, and subsequently traces the development of a new genre of women's writing - the botanical poem with scientific notes. The book is indispensable reading for all scholars of the eighteenth century, especially those interested in Romantic women's writing, or the relationship between literature and science."]