{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":1,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":17,"n_cols":5,"rows_kept":17,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[5,2,5,3],[7,2,7,3],[8,2,8,3],[9,2,9,3],[10,2,10,3],[11,2,11,3],[12,2,12,3],[15,2,15,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910814953103321"]
[null,null,"Autore",null,"Jaurretche Colleen"]
[null,null,"Titolo",null,"Language as prayer in Finnegans Wake / / Colleen Jaurretche ; forward by Sebastian D.G. Knowles"]
[null,null,"Pubbl/distr/stampa",null,"Gainesville, Florida : , : University Press of Florida, c2020, , [2020]"]
[{"$nulls":4},"©2020"]
[null,null,"ISBN",null,"0-8130-5858-9"]
[{"$nulls":4},"0-8130-5747-7"]
[null,null,"Descrizione fisica",null,"1 online resource (1 online resource)"]
[null,null,"Collana",null,"The Florida James Joyce series"]
[null,null,"Disciplina",null,"823.912"]
[null,null,"Soggetti",null,"Prayer in literature"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Introduction: \"Sacrilegious Languages\" -- Book I: Image -- Book II: Magic -- Book III: Dreams -- Book IV: Speech"]
[null,null,null,"Sommario/riassunto","\"This innovative analysis shows how James Joyce uses the language of prayer to grapple with intangible things in his dreamlike masterpiece Finnegans Wake. Colleen Jaurretche moves beyond what scholars know about how Joyce wrote this work to suggest exactly why it follows the order it does in its finished form\"--"]