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[null,"1.","Record Nr.",null,"UNISA990005943190203316"]
[null,null,"Autore",null,"GAROSCI, Aldo"]
[null,null,"Titolo",null,"Adolfo Omodeo / Aldo Garosci ; a cura di Maurizio Griffo"]
[null,null,"Pubbl/distr/stampa",null,"Roma : Edizioni di storia e letteratura"]
[{"$nulls":4},"Firenze : Istituto nazionale di studi sul Rinascimento, 2013"]
[null,null,"ISBN",null,"978-88-6372-517-9"]
[null,null,"Descrizione fisica",null,"XXIII, 123 p. ; 21 cm"]
[null,null,"Collana",null,"Letture di pensiero e d'arte , Reprint ; 20"]
[null,null,"Disciplina",null,"907.2024"]
[null,null,"Soggetti",null,"Omodeo, Adolfo"]
[null,null,"Collocazione",null,"X.3.B. 7148"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Riproduzione facsimilare dell'edizione: Rivista storica italiana, LXXVII-LXXVIII, (1965-1966)"]
[null,"2.","Record Nr.",null,"UNISA996212713103316"]
[null,null,"Titolo",null,"Annual report - Australian Maritime Safety Authority"]
[null,null,"Pubbl/distr/stampa",null,"Canberra, : Australian Govt. Pub. Service"]
[null,null,"ISSN",null,"1039-0626"]
[null,null,"Soggetti",null,"Engineering - Fire Fighting and Safety Engineering"]
[{"$nulls":4},"Engineering - General and Others"]
[{"$nulls":4},"Environmental Sciences - General and Others"]
[{"$nulls":4},"Environmental Sciences - Pollution (Air, Noise, Soil and Water) & Control"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Periodico"]
[null,"3.","Record Nr.",null,"UNINA9910814359503321"]
[null,null,"Autore",null,"Kaneko Maki"]
[null,null,"Titolo",null,"Mirroring the Japanese empire : the male figure in yōga painting, 1930-1950 : the male figure in yōga painting, 1930-1950 / / by Maki Kaneko"]
[null,null,"Pubbl/distr/stampa",null,"Leiden, [Netherlands] ; ; Boston, [Massachusetts] : , : Brill, , 2015"]
[{"$nulls":4},"©2015"]
[null,null,"ISBN",null,"90-04-28259-9"]
[null,null,"Descrizione fisica",null,"1 online resource (211 p.)"]
[null,null,"Collana",null,"Japanese Visual Culture, , 2210-2868 ; ; Volume 14"]
[null,null,"Disciplina",null,"759.95209044"]
[null,null,"Soggetti",null,"Painting, Japanese - Western style"]
[{"$nulls":4},"Sino-Japanese War, 1937-1945"]
[{"$nulls":4},"World War, 1939-1945"]
[{"$nulls":4},"Men in art"]
[{"$nulls":4},"War in art"]
[{"$nulls":4},"World War, 1939-1945 - Propaganda"]
[{"$nulls":4},"Propaganda, Japanese"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Preliminary material -- 1 Introduction -- 2 “Japanese” Men on Display: Fujita Tsuguharu’s Campaign-Record Paintings -- 3 Modern Portraiture as the Site of Battle: Yasui Sōtarō’s Male Portraits and the Shirakaba School -- 4 Artists as Madmen: Yamashita Kiyoshi and Matsumoto Shunsuke’s “Disabled” Bodies -- 5 Conclusion: Male Icons of Japan’s “Long Postwar” -- Endnotes -- Selected Bibliography -- Illustration Credits -- Index."]
[null,null,null,"Sommario/riassunto","In this groundbreaking study of a subject intricately tied up with the controversies of Japanese wartime politics and propaganda, Maki Kaneko reexamines the iconic male figures created by artists of yōga (Western-style painting) between 1930 and 1950. Particular attention is given to prominent yōga painters such as Fujita Tsuguharu, Yasui Sōtarō, Matsumoto Shunsuke, and Yamashita Kiyoshi—all of whom achieved fame for their images of men either during or after the Asia-Pacific War. By closely investigating the representation of male figures together with the contemporary politics of gender, race, and the body, this profusely illustrated volume offers new insight into artists’ activities in late Imperial Japan. Rather than adhering to the previously "]
[{"$nulls":4},"held model of unilateral control governing the Japanese Empire’s visual regime, the author proposes a more complex analysis of the role of Japanese male artists and how art functioned during an era of international turmoil."]