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[null,"1.","Record Nr.",null,"UNINA9910813993103321"]
[null,null,"Autore",null,"Martin Steve <1945->"]
[null,null,"Titolo",null,"Conversations with Steve Martin / / edited by Robert E. Kapsis"]
[null,null,"Pubbl/distr/stampa",null,"Jackson, Mississippi : , : University Press of Mississippi, , 2014"]
[{"$nulls":4},"©2014"]
[null,null,"ISBN",null,"1-62674-063-1"]
[null,null,"Descrizione fisica",null,"1 online resource (345 pages)"]
[null,null,"Collana",null,"Literary Conversation Series"]
[null,null,"Classificazione",null,"BIO005000LCO002000LIT004020"]
[null,null,"Disciplina",null,"813/.54"]
[{"$nulls":4},"B"]
[null,null,"Soggetti",null,"Authors, American - 20th century"]
[{"$nulls":4},"Musicians - United States - 20th century"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Includes index."]
[null,null,null,"Sommario/riassunto","\"Conversations with Steve Martin presents a collection of interviews and profiles that focus on Martin as a writer, artist, and original thinker over the course of more than four decades in show business. While those less familiar with his gull body of work may think of Martin as primarily the \"wild and crazy guy\" with an arrow through his head, this book makes the case that he is in fact one of our nation's most accomplished and varied artists. It shows the full range of Martin's creative work, tracing the source of his comic imagination from his early standup days, starting in the mid- to late 1960's through the films he has written and starred in, and emphasizing his more recent creative outpourings as playwright, essayist, novelist, memoirist, songwriter, composer, musician, and art critic. \"Standup is the hardest material in the world to writer for someone else; it's like trying to condense ten years of experience into twenty minutes of new material,\" Martin says. But commenting on his fiction writing, he says, \"I think you have to be able to find as a writer that state where your don't know what you're going to say or what the character is going to say or who the characters are. That's the biggest thrill of all. When you start to trust that subconscious thing and you don't censor yourself--just remember you can always throw it away--that's when the good stuff comes out.\"\"--"]