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[null,"1.","Record Nr.",null,"UNINA9910813874803321"]
[null,null,"Autore",null,"Vitali Valentina"]
[null,null,"Titolo",null,"Capital and popular cinema : the dollars are coming! / / Valentina Vitali [[electronic resource]]"]
[null,null,"Pubbl/distr/stampa",null,"Manchester : , : Manchester University Press, , 2016"]
[null,null,"ISBN",null,"1-5261-0977-8"]
[null,null,"Descrizione fisica",null,"1 online resource : illustrations (black and white)"]
[null,null,"Disciplina",null,"791.43"]
[null,null,"Soggetti",null,"Cult films - History and criticism"]
[{"$nulls":4},"Cult films - Economic aspects"]
[{"$nulls":4},"Motion picture industry"]
[{"$nulls":4},"Criticism, interpretation, etc."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Previously issued in print: 2016."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references, filmography and index."]
[null,null,null,"Sommario/riassunto","Popular cinema has mostly been discussed from a 'cult' perspective that celebrates uncritically its 'transgressive' qualities. Capital and popular cinema responds to the need for a more solid academic approach by situating 'low' film genres in their economic and culturally-specific contexts and by exploring the interconnections between those contexts, the immediate industrial-financial interests sustaining the films, and the films' aesthetics. Through the examination of three different cycles in film production - the Italian giallo of Mario Bava, the Mexican films of Fernando Mňdez, and the Hindi horror cinema of the Ramsay Brothers - this book proposes a comparative approach that accounts for the whole of a national film industry's production ('popular' and 'canonic'), and is applicable to the study of film genres globally."]