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[null,"1.","Record Nr.",null,"UNINA9910813604103321"]
[null,null,"Autore",null,"Paris Stephanie Herweck"]
[null,null,"Titolo",null,"Humor / / collected and leveled by Stephanie Paris"]
[null,null,"Pubbl/distr/stampa",null,"Huntington Beach, California : , : Shell Education, , [2013]"]
[{"$nulls":4},"©2013"]
[null,null,"ISBN",null,"1-4333-8405-1"]
[null,null,"Descrizione fisica",null,"1 online resource (152 pages) : illustrations"]
[null,null,"Collana",null,"Leveled texts for classic fiction"]
[null,null,"Disciplina",null,"372.47"]
[null,null,"Soggetti",null,"Reading comprehension - Study and teaching"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,"2.","Record Nr.",null,"UNINA9910867288503321"]
[null,null,"Autore",null,"Schaller Maria"]
[null,null,"Titolo",null,"Das Herz in den Bildmedien religiöser Frauengemeinschaften : Frühneuzeitliche Körperkonzepte im Spannungsverhältnis von Konfession, Stand und Geschlecht / / Maria Schaller"]
[null,null,"Pubbl/distr/stampa",null,"Berlin ; ; Boston : , : De Gruyter, , [2024]"]
[{"$nulls":4},"©2024"]
[null,null,"ISBN",null,"9783111073620"]
[{"$nulls":4},"3111073629"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (520 p.)"]
[null,null,"Collana",null,"Verflechtung - Aushandlung - Opazität : Kunsthistorische Studien , , 2941-4032 ; ; 2"]
[null,null,"Disciplina",null,"271.9"]
[null,null,"Soggetti",null,"ART / History / Baroque & Rococo"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Frontmatter -- Inhalt -- Dank -- 1 Einleitung -- 2 \"Braut Christi\" werden. Imaginierte Körperöffnungen im Bildnis der Sor María Antonia de la Purísima Concepción und das Besiegeln der Profess -- 3 Nadelarbeit und Narbenschrift. Körperliche Durchdringungen im Porträt der Suor Maria Sepellita della Concezione und die Genealogie einer \"ewigen Herzenswunde\" -- 4 Ordensverleihung versus \"papistische Körpermodifikationen\". Das herzförmige \"Stiffts Zeichen\" an der Schärpe im Bildnis der lutherischen Äbtissin Rosina Susanna von Venningen -- 5 Schlussbetrachtung -- Literaturverzeichnis -- Bildnachweis -- Personenregister -- English Summary"]
[null,null,null,"Sommario/riassunto","In den Bildmedien religiöser Frauenge­meinschaften der Frühen Neuzeit war das Herz von besonderer Bedeutung. Maria Schaller analysiert Porträts und bildtragende Schmuckstücke, die im 17. und 18. Jahrhundert in katholischen Nonnenklöstern und protestantischen Damenstiften entstanden sind und Vorstellungen wie die Einwohnung, das Einprägen oder die Einschreibung des Göttlichen in das menschliche Herz thematisieren. Untersucht wer­den Rückgriffe auf die Herzvisionen spätmittelalterlicher Mystiker*innen, aber auch bemerkenswerte Neuse­mantisierungen wie die Konstruktion der Genealogie einer \"ewigen Herzenswunde\". Im Zentrum steht die Frage, inwiefern die präsentierten Körperbilder und Imaginationen des Herzens Aushandlungsprozesse im Spannungsfeld von Konfession, Stand und Geschlecht widerspiegeln. Grundlegender Beitrag zur "]
[{"$nulls":4},"Genderforschung und Körpergeschichte der Frühen Neuzeit Bilder des Herzens in verschiedenen christlichen Konfessionen"]
[{"$nulls":4},"The heart had a key position in the visual media of religious women's communities in the early modern era. Maria Schaller analyzes portraits and image-bearing jewelry created in Catholic nunneries and Protestant women's convents during the 17th and 18th centuries; these address ideas such as the indwelling, imprinting, or inscribing of the divine in the human heart. This study examines their recourse to the heart visions of late medieval mystics, but also to remarkable new semanticizations such as constructing the genealogy of an 'eternal wound of the heart'. The primary question is how far the body images and imaginaries of the heart presented here reflect mediation processes in the field of tension between denomination, class, and gender. Fundamental contribution to gender research and the history of the body during the early modern age Images of the heart in various Christian denominations"]