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[null,"1.","Record Nr.",null,"UNINA9910813592303321"]
[null,null,"Autore",null,"Dewey Donald <1940->"]
[null,null,"Titolo",null,"Buccaneer : James Stuart Blackton and the birth of American movies / / Donald Dewey"]
[null,null,"Pubbl/distr/stampa",null,"Lanham, Maryland : , : Rowman & Littlefield, , 2016"]
[{"$nulls":4},"©2016"]
[null,null,"ISBN",null,"1-4422-4259-0"]
[null,null,"Descrizione fisica",null,"1 online resource (313 p.)"]
[null,null,"Collana",null,"Film and History"]
[null,null,"Disciplina",null,"791.4302/3092"]
[null,null,"Soggetti",null,"Motion picture producers and directors - United States"]
[{"$nulls":4},"Animators - United States"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Contents; Acknowledgments; Introduction; 1 Fish and Chips Tales; 2 In America; 3 Wives and Widows; 4 Movie Magic; 5 Burglaries; 6 War Is Good; 7 Real Wars and the Other Kind; 8 Wizardry; 9 Division of Labors; 10 What's Playing; 11 Reaching for Couth; 12 New Sets; 13 Star Powers; 14 Longer Views; 15 The Commodore; 16 General Chaos; 17 The High Cost of Peace; 18 Independent-Sort Of; 19 Don't Arise, Sir James; 20 At Homes with the Blacktons; 21 The Eagle Has Crashed; 22 Other Dimensions; 23 The Not-So-Great Depression; 24 Parading On; 25 Gin and Ham; 26 Last Glorious Adventures; Epilogue"]
[{"$nulls":4},"Appendix AAppendix B; Notes; Bibliography; Index; About the Author"]
[null,null,null,"Sommario/riassunto","This is an in-depth look at the life and career of James Stuart Blackton (1875-1941), the first great commercial vendor of cinema who grasped that motion pictures were not merely a technical innovation, but a popular entertainment form for the masses. Blackton was a man of many firsts in the film industry: the first combination actor-director-producer in the United States, the country's first national exhibitor, and the first film propagandist. He contributed landmark innovations in everything from special effects to single-frame animation, for which he is often regarded as the father of the a"]