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[null,"1.","Record Nr.",null,"UNINA990004882670403321"]
[null,null,"Titolo",null,"Canti popolari del circondario di Modica / raccolti e illustrati da Serafino Amabile Guastella"]
[null,null,"Pubbl/distr/stampa",null,"Modica : Tip. Lutri & Secagno Figli, 1876"]
[null,null,"Descrizione fisica",null,"CXXX, 104 p. ; 19 cm"]
[null,null,"Disciplina",null,"398.8"]
[null,null,"Locazione",null,"FLFBC"]
[null,null,"Collocazione",null,"398.8 GUA 1"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910813219503321"]
[null,null,"Titolo",null,"A companion to Spanish cinema / / edited by Jo Labanyi and Tatjana Pavlovic"]
[null,null,"Pubbl/distr/stampa",null,"Malden, MA, : Wiley-Blackwell, 2012"]
[null,null,"ISBN",null,"9786613916594"]
[{"$nulls":4},"9781118322772"]
[{"$nulls":4},"1118322770"]
[{"$nulls":4},"9781782689720"]
[{"$nulls":4},"1782689729"]
[{"$nulls":4},"9781118322765"]
[{"$nulls":4},"1118322762"]
[{"$nulls":4},"9781283604147"]
[{"$nulls":4},"1283604140"]
[{"$nulls":4},"9781118322796"]
[{"$nulls":4},"1118322797"]
[{"$nulls":4},"9781118322802"]
[{"$nulls":4},"1118322800"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (666 p.)"]
[null,null,"Collana",null,"Wiley-Blackwell companions to national cinemas"]
[null,null,"Classificazione",null,"PER004030"]
[null,null,"Disciplina",null,"791.430946"]
[null,null,"Soggetti",null,"Motion pictures - Spain"]
[{"$nulls":4},"Performing arts - Spain"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"A Companion to Spanish Cinema; Copyright; Contents; Acknowledgments; List of Figures; List of Contributors; 1 Introduction; Part I Reframing the National; 2 Transnational Frameworks; Introduction (Marvin D'Lugo and Gerard Dapena); Transnational Beginnings (Gerard Dapena); Breaking the Sound Barrier (Gerard Dapena); War, Isolation, and New Transnational Openings (Gerard Dapena); The Golden Age of Popular Coproductions (Gerard Dapena); The Politics of the Transnational Auteur (Marvin D'Lugo); The Producer-Author as Transnational Entrepreneur (Marvin D'Lugo)"]
[{"$nulls":4},"The Latin American Connection (Alberto Elena) Cinematic Relations with the Arab World (Alberto Elena); Spanish Cinema by Immigrant Directors (Alberto Elena); References; Further Reading; 3 Echoes and Traces: "]
[{"$nulls":4},"Catalan Cinema, or Cinema in Catalonia; Other Voices, Other Scripts: Language, Imagery, and Censorship; Spectacular (Dis)locations: Art, Business, and Morality; Troubled Transitions: The \"Talkies,\" the Republic, the Civil War, the Dictatorship, and Beyond; Notes; References; Further Reading; 4 Negotiating the Local and the Global: Andalusia, the Basque Country, and Galicia"]
[{"$nulls":4},"Introduction: Fragmentation, Invisibility, and Political Devolution (José Colmeiro)On the Global Formation of Andalusian and Basque Cinemas (Joseba Gabilondo); Galician Cinema: Making the Invisible Visible (José Colmeiro); References; Further Reading; Part II The Construction of the Auteur; 5 Auteurism and the Construction of the Canon; Auteurism and Spain (Marvin D'Lugo); Luis Buñuel (Marvin D'Lugo); Carlos Saura (Marvin D'Lugo); Pedro Almodóvar (Paul Julian Smith); Víctor Erice (Paul Julian Smith); Julio Medem (Paul Julian Smith); Alejandro Amenábar (Paul Julian Smith); References"]
[{"$nulls":4},"Further Reading6 Strategic Auteurism; Introduction (Susan Martin-Márquez); Neville, Berlanga, and de la Iglesia: A Strategically Disruptive Auteurism (Steven Marsh); Authorizing Screenwriting: Rafael Azcona and Pedro Beltrán (Santos Zunzunegui); Jesús Franco: From Pulp Auteur to Cult Auteur (Antonio Lázaro-Reboll); Pere Portabella: The Politics and Aesthetics of Auteurism (Santos Zunzunegui); Editing in the Woman Auteur (Susan Martin-Márquez); Notes; References; Further Reading; Part III Genre; 7 Comedy and Musicals; Comedy in Spanish Cinema: An Overview (Steven Marsh)"]
[{"$nulls":4},"Queridos cómicos: Actors and Entertainment (Santos Zunzunegui) The Heyday of the Musical Film (Eva Woods Peiró); Contemporary Musical Comedy, Sex, and Gender (Chris Perriam); Conclusion (Chris Perriam); Notes; References; Further Reading; 8 Melodrama and Historical Film; Melodrama: Modernity's Rebellious Genre (Annabel Martín); The Historical Film: Genre and Legibility (Vicente Rodríguez Ortega); The Ambivalent Attractions of the Past: Historical Film of the Early Franco Period (Jo Labanyi)"]
[{"$nulls":4},"Between the National and the Global: The Historical Film from the 1960's to the Present (Vicente Rodríguez Ortega)"]
[null,null,null,"Sommario/riassunto","A Companion to Spanish Cinema is a bold collection of newly commissioned essays written by top international scholars that thoroughly interrogates Spanish cinema from a variety of thematic, theoretical and historic perspectives. Presents an insightful and provocative collection of newly commissioned essays and original research by top international scholars from a variety of theoretical, disciplinary and geographical perspectives Offers a systematic historical, thematic, and theoretical approach to Spanish cinema, unique in the field Combines a thorough and..."]