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[null,"1.","Record Nr.",null,"UNISOBE600200013037"]
[null,null,"Autore",null,"Chadha, Yogesh"]
[null,null,"Titolo",null,"Gandhi / Yogesh Chadha ; traduzione di Mario Prayer"]
[null,null,"Pubbl/distr/stampa",null,"Milano, : Mondadori, 1988"]
[null,null,"Descrizione fisica",null,"419 p. ; 21 cm."]
[null,null,"Collana",null,"I Protagonisti"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Supplemento a Famiglia Cristiana n.26 del 30 giugno 2002"]
[null,"2.","Record Nr.",null,"UNINA9910813196903321"]
[null,null,"Autore",null,"Jones Gai"]
[null,null,"Titolo",null,"The student actor prepares : acting for life / / Gai Jones ; cover designer, Holly Rose"]
[null,null,"Pubbl/distr/stampa",null,"Bristol, England ; ; Chicago, Illinois : , : Intellect, , 2014"]
[{"$nulls":4},"©2014"]
[null,null,"ISBN",null,"1-78320-260-2"]
[{"$nulls":4},"1-78320-259-9"]
[null,null,"Descrizione fisica",null,"1 online resource (470 p.)"]
[null,null,"Disciplina",null,"792.02807"]
[null,null,"Soggetti",null,"Acting - Study and teaching"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Includes index."]
[null,null,"Nota di contenuto",null,"Front Cover; Half-title; Title; Copyright; Contents; Preface to Teachers: Using this Book to Instruct Students; Preface to Student Actors: Using this Book; Prologue; Creative (CI) and Reflective Inquiry (RI) Journey; Brief History of Theatre Acting; Theatre Vocabulary for the Acting Student: Top One Hundred and Sixty Essential Words; Theatrical Humor; Reading Plays; Closure for The Student Actor Prepares: Acting for Life: Prologue; Chapter One: Introduction to Theatre Acting; Unlimited Potential; Skills Developed by the Acting Process; Actor's Personal Autobiography"]
[{"$nulls":4},"Natural Talents and Aptitudes Acknowledging your Uniqueness; Positive New Experiences; Dealing with Inhibitors; Dealing with Negativism and Rejection in the Acting Biz; Winning Attitudes; Closure for Chapter One: Theatre Acting; Chapter Two: Creativity; Introduction to Creativity; Definition of Creativity; Say Yes to Creativity; Various Types of Creative Thinking: Brainstorming, Intuition, and Left Brain-Right Brain; Tips on How to Increase your Creativity; Experiences to Increase your Creativity; Left Brain/Right Brain Experience; Thinking Outside the Box"]
[{"$nulls":4},"How an Actor Benefits by Thinking Creatively Using Both Left and Right Brain Thinking in Acting; Closure for Chapter Two: Creativity; Chapter Three: Movement; Introduction to Movement; Definition of Movement; History of Movement Training; Introduction to Relaxation for Movement; The Bow; Video Recording as Part of your Rehearsal Process; Preparation for Actor's Character Stance and Movement; Stage Stances and Movement; Introduction to Mime Study for the Actor; Closure for Chapter Three: Movement; Chapter Four: Vocal Work; Introduction to "]
[{"$nulls":4},"Vocal Work; Taking Care of your Voice"]
[{"$nulls":4},"Warm-Up for Vocal Experiences Vocal Vocabulary and Assignments; Song Lyrics for Vocal Work; Shakespeare for Vocal Interpretation; Closure for Chapter Four: Vocal Work; Chapter Five: Improvisation; Introduction to Improvisation; Definition of Improvisation; History of Improvisation; Why an Actor Studies Improvisation; Vocabulary Used in the Study of Improvisation; Difference between Giving a Speech and Solo Improvisation Performance; Difference between Ad Lib and Improvisation; How an Actor Uses Improvisation; Basic Principles of Improvisation; Warm-Ups for Improvisations; Solo Improvisation"]
[{"$nulls":4},"Closure for Chapter Five: Improvisation Chapter Six: Acting and Script Study; Introduction to Acting; History of Acting: Mechanical to Method; Master Acting Teachers; Acting Vocabulary; Reading and Analyzing a Script from an Actor's Point of View; Character Biography for a Monologue from a Play; Closure for Chapter Six: Acting and Script Analysis; Chapter Seven: Monologues; Introduction to Monologues; Definition of a Monologue; History of the Monologue; Monologue Vocabulary; Why an Actor Studies Monologues; The First Day: Monologue for Analysis and Staging; Warming Up"]
[{"$nulls":4},"Keeping it Real and in the Moment-Not Indicating"]
[null,null,null,"Sommario/riassunto","The Student Actor Prepares is a practical, interactive approach to a student actor's journey."]