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[null,"1.","Record Nr.",null,"UNINA9910798615703321"]
[null,null,"Autore",null,"Fayos Gardó Antonio"]
[null,null,"Titolo",null,"La propiedad intelectual en la era digital / / Antonio Fayos Gardó"]
[null,null,"Pubbl/distr/stampa",null,"Madrid, Spain : , : Dykinson, , [2016]"]
[{"$nulls":4},"©2016"]
[null,null,"ISBN",null,"84-9085-898-5"]
[null,null,"Descrizione fisica",null,"1 online resource (433 páginas)"]
[null,null,"Disciplina",null,"346.46048"]
[null,null,"Soggetti",null,"Internet - Law and legislation - Spain"]
[{"$nulls":4},"Intellectual property - Spain"]
[null,null,"Lingua di pubblicazione",null,"Spagnolo"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Contiene bibliografía."]
[null,"2.","Record Nr.",null,"UNINA9910791654603321"]
[null,null,"Autore",null,"Scott Darieck"]
[null,null,"Titolo",null,"Extravagant abjection [[electronic resource] ] : blackness, power, and sexuality in the African American literary imagination / / Darieck Scott"]
[null,null,"Pubbl/distr/stampa",null,"New York, : New York University Press, c2010"]
[null,null,"ISBN",null,"0-8147-8654-5"]
[{"$nulls":4},"0-8147-4135-5"]
[null,null,"Descrizione fisica",null,"1 online resource (329 p.)"]
[null,null,"Collana",null,"Sexual cultures"]
[null,null,"Disciplina",null,"813.5409896073"]
[null,null,"Soggetti",null,"Abjection in literature"]
[{"$nulls":4},"African American men in literature"]
[{"$nulls":4},"American fiction - African American authors - History and criticism"]
[{"$nulls":4},"Homosexuality in literature"]
[{"$nulls":4},"Pornography in literature"]
[{"$nulls":4},"Power (Social sciences) in literature"]
[{"$nulls":4},"Race relations in literature"]
[{"$nulls":4},"Rape in literature"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Fanon’s Muscles -- 2. “A Race That Could Be So Dealt With” -- 3. Slavery, Rape, and the Black Male Abject -- 4. The Occupied Territory -- 5. Porn and the N-Word -- Conclusion -- Notes -- Index -- About the Author"]
[null,null,null,"Sommario/riassunto","Challenging the conception of empowerment associated with the Black Power Movement and its political and intellectual legacies in the present, Darieck Scott contends that power can be found not only in martial resistance, but, surprisingly, where the black body has been inflicted with harm or humiliation.Theorizing the relation between blackness and abjection by foregrounding often neglected depictions of the sexual exploitation and humiliation of men in works by James Weldon Johnson, Toni Morrison, Amiri Baraka, and Samuel R. Delany, Extravagant Abjection asks: If we’re racialized through domination and abjection, what is the political, personal, and psychological potential in racialization-through-abjection? Using the figure of male rape as a lens through which to examine this question, Scott argues that blackness in "]
[{"$nulls":4},"relation to abjection endows its inheritors with a form of counter-intuitive power—indeed, what can be thought of as a revised notion of black power. This power is found at the point at which ego, identity, body, race, and nation seem to reveal themselves as utterly penetrated and compromised, without defensible boundary. Yet in Extravagant Abjection, “power” assumes an unexpected and paradoxical form.In arguing that blackness endows its inheritors with a surprising form of counter–intuitive power—as a resource for the political present—found at the very point of violation, Extravagant Abjection enriches our understanding of the construction of black male identity."]
[null,"3.","Record Nr.",null,"UNINA9910811496703321"]
[null,null,"Autore",null,"Maza Pérez Maximiliano"]
[null,null,"Titolo",null,"Miradas que se cruzan : el espacio geografico de la frontera entre Mexico y los Estados Unidos en el cine fronterizo contemporaneo / / Maximiliano Maza Perez"]
[null,null,"Pubbl/distr/stampa",null,"Mexico, D. F. : , : Bonilla Artigas Editores : , : Instituto Tecnologico y de Estudios Superiores de Monterrey : , : Iberoamericana, , [2014]"]
[{"$nulls":4},"©2014"]
[null,null,"ISBN",null,"1-5129-7702-0"]
[{"$nulls":4},"607-8348-59-0"]
[null,null,"Edizione",null,"[Primera edición.]"]
[null,null,"Descrizione fisica",null,"1 online resource : illustrations"]
[null,null,"Collana",null,"Colección Nexos y diferencias ; ; 42"]
[{"$nulls":4},"Pública cultura ; ; 3"]
[null,null,"Disciplina",null,"791.430972"]
[null,null,"Soggetti",null,"Motion pictures - Mexico"]
[null,null,"Lingua di pubblicazione",null,"Spagnolo"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Bibliografía: páginas [231]-250."]
[null,null,"Nota di contenuto",null,"Intro -- Portadillas -- Página legal -- Contenido -- Introducción -- Desarrollo histórico de la representación fílmica del espacio fronterizo entre México y Estados Unidos -- Espacio de barbarie: la frontera en el cine estadounidense -- Espacio de desarraigo: el cine fronterizo mexicano -- Espacio de identidad: lo fronterizo en el cine chicano -- Espacio de hibridación: el cine fronterizo contemporáneo -- La dimensión espacial en el campo de los estudios culturales -- Espacio y frontera en los estudios culturales -- El espacio de la semiósfera y la frontera semiótica -- El concepto de frontera en los estudios postcoloniales y fronterizos -- El espacio en la geografía posmoderna -- El giro espacial de los estudios culturales -- La geografía cultural y la representación del espacio geográfico en el cine -- La perspectiva desde la geografía cinematográfica -- Los modos de representación fílmica de la realidad y del espacio -- El análisis descriptivo y la representación fílmica del espacio -- El análisis descriptivo -- La descripción fílmica -- Niveles de representación del espacio cinematográfico -- Primer nivel de representación: puesta en escena y paisaje cinematográfico -- Segundo nivel de representación: puesta en cuadro y espacio fílmico -- Tercer nivel de representación: puesta en serie y segmentos fílmicos -- Primer eje de articulación: cronotopos de emplazamiento, desplazamiento y transición -- Segundo eje de articulación: espacio fílmico como territorio -- Esquema operativo de la "]
[{"$nulls":4},"descripción fílmica del espacio cinematográfico -- Funciones del paisaje cinematográfico y del espacio fílmico en el cine fronterizo contemporáneo -- La frontera reversible: replanteamiento del espacio dramático en Los tres entierros de Melquiades Estrada (2005) -- Metáforas espaciales de la frontera en La misma luna (2007)."]
[{"$nulls":4},"Dentro y fuera de cuadro: territorio, poder y control del espacio fílmico en Babel (2006) -- Espacios diferentes: espectáculo y significado del paisaje fronterizo en Traficantes de sueños (2008) -- Conclusiones -- Anexo imágenes -- Bibliografía -- Filmografía -- Sobre el autor -- Colofón -- 4ª de forros."]