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[null,"1.","Record Nr.",null,"UNINA9910456282203321"]
[null,null,"Autore",null,"Gerlach Neil"]
[null,null,"Titolo",null,"The genetic imaginary : DNA in the Canadian criminal justice system / / Neil Gerlach"]
[null,null,"Pubbl/distr/stampa",null,"Toronto, Ontario ; ; Buffalo, New York ; ; London, England : , : University of Toronto Press, , 2004"]
[{"$nulls":4},"©2004"]
[null,null,"ISBN",null,"1-281-99454-5"]
[{"$nulls":4},"9786611994549"]
[{"$nulls":4},"1-4426-8135-7"]
[null,null,"Descrizione fisica",null,"1 online resource (264 p.)"]
[null,null,"Collana",null,"Digital Futures"]
[null,null,"Disciplina",null,"614/.1/0971"]
[null,null,"Soggetti",null,"DNA fingerprinting - Canada"]
[{"$nulls":4},"Evidence, Criminal - Canada"]
[{"$nulls":4},"Criminal justice, Administration of - Canada"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Frontmatter -- Contents -- Acknowledgments -- 1. Introduction: Risk, Biogovernance, and the Genetic Imaginary -- 2. Creating the Conditions of Possibility: Scientific, Social, and Legal Contexts -- 3. Framing DNA: Negotiating the DNA Warrant and Data Bank System in the Public Sphere -- 4. Corrective Justice: Media Events and Public Knowledge of DNA in the Criminal Justice System -- 5. Opening and Closing the Black Box: DNA Typing as a Regime of Practice -- 6. From Crime Control to Crime Management: DNA and Shifting Notions of Justice -- 7. Conclusion: Toward Genetic Justice -- Notes -- Bibliography -- Index"]
[null,null,null,"Sommario/riassunto","DNA testing and banking has become institutionalized in the Canadian criminal justice system. As accepted and widespread though the practice is, there has been little critique or debate of this practice in a broad public forum on the potential infringement of individual rights or civil liberties. Neil Gerlach's The Genetic Imaginary takes up this challenge, critically examining the social, legal, and criminal justice origins and effects of DNA testing and banking. Drawing on risk analysis, Gerlach explains why Canadians have accepted DNA technology with barely a ripple of public outcry.Despite promises of "]
[{"$nulls":4},"better crime control and protections for existing privacy rights, Gerlach's examination of police practices, courtroom decisions, and the changing role of scientific expertise in legal decision-making reveals that DNA testing and banking have indeed led to a measurable erosion of individual rights. Biogovernance and the biotechnology of surveillance almost inevitably lead to the empowerment of state agent control and away from due process and legal protection. The Genetic Imaginary demonstrates that the overall effect of these changes to the criminal justice system has been to emphasize the importance of community security at the expense of individual rights. The privatization and politicization of biogovernance will certainly have profound future implications for all Canadians."]
[null,"2.","Record Nr.",null,"UNINA9910789695903321"]
[null,null,"Autore",null,"Jaen Rafael"]
[null,null,"Titolo",null,"Show case [[electronic resource] ] : developing, maintaining, and presenting a design-tech portfolio for theatre and allied fields / / Rafael Jaen"]
[null,null,"Pubbl/distr/stampa",null,"Amsterdam ; ; Boston, : Focal Press, c2012"]
[null,null,"ISBN",null,"1-136-08518-1"]
[{"$nulls":4},"1-283-23853-5"]
[{"$nulls":4},"9786613238535"]
[{"$nulls":4},"0-240-81927-6"]
[null,null,"Edizione",null,"[2nd ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (265 p.)"]
[null,null,"Disciplina",null,"791.43025"]
[{"$nulls":4},"792.025"]
[null,null,"Soggetti",null,"Theaters - Stage-setting and scenery"]
[{"$nulls":4},"Motion pictures - Setting and scenery"]
[{"$nulls":4},"Television - Stage-setting and scenery"]
[{"$nulls":4},"Art portfolios - Design"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Originally published in 2006 under title: Developing and maintaining a design-tech portfolio."]
[{"$nulls":4},"Includes index."]
[null,null,"Nota di contenuto",null,"Cover; Show Case; Copyright; Contents; Preface; Introduction; I. What is a Design-tech Portfolio?; 1: What Is a Design-tech Portfolio?; The Winning Design Portfolio; The Winning Technical Portfolio; 2: Traditional Portfolio Development Techniques; Planning and Creation; Models, Styles, Dimensions, and Handling; New Trends; Inside the Case: Supplies and Materials; Multiring Refill Pages; Three-ring Binder Sheet Protectors; Specialty Layout Materials and Supplies; Where to Find Specialty Materials and Supplies; Basic Strategy to Get the Right Materials; Brother Mfc-6490cw with Wireless"]
[{"$nulls":4},"Product Review: Brother Mfc-6490cw3: The Effective Showcase; General Considerations; Organizing the Body of Work: Beginning, Middle, and End; The Beginning; The Middle; The End; Presenting Visual Content: Page Layout Options; Opening Page; Horizontal Layout; Vertical Layout; Inserts: Adding Conversation Pieces; Featuring Best Artwork, News/media Reviews, and Photographs; Back Pocket: Research and Organizational Paperwork; The Designer and Technician's Archives; "]
[{"$nulls":4},"Marketing and Networking: Identifying Portfolio Requirements by Venue; College Applications"]
[{"$nulls":4},"Organizations That Offer Portfolio Reviews4: Types of Portfolios; Know-how; The Right Stuff; Buy the Book, Cd, or Website; Everybody Says Don't!; No Techie Left Behind...; The Basics; Scenic Design; Costumes; Makeup and Hair; Lighting; Sound; Specialized Technicians, Crafts, and Allied Fields; Technical Director; By the Book, Cd, or Website: the 21st Century Multimedia Portfolio; Production Design; Portfolio Photos; 5: Portfolio Development Techniques Do's and Don'ts; Portfolio Development Do's; Portfolio Development Don'ts; II. What is an Electronic Portfolio?"]
[{"$nulls":4},"6: The Effective Digital PortfolioWorking with Collaborators; Relearning and Learning for the First Time; New Capabilities and New Uses; Conclusion; What Is a Digital Portfolio What Is It For?; 7: Digital Portfolio Developing Techniques; Graphic Design Principles and Branding; Software Applications and Cd Showcases; Powerpoint and Adobe Portable Document Format (pdf); Photo Editing Software; Websites and Web Archives; Multimedia Sharing and Social Media; About Interactive Portfolios; Final Words: Things to Know When Designing Websites; What Is a Domain Name?; What Are Domain Name Registrars?"]
[{"$nulls":4},"How Do I Know I Am Buying from a Real Registrar?What Are Some Recommended Resources for People Starting Out?; 8: Digital Portfolio Do's and Don'ts; III. Presenting and Marketing the Portfolio; 9: Portfolio Presentation Techniques; The Professional and Appropriate Appearance for Portfolio Presentation; Foundations of Presenting; Being Present, Presenting, and Leaving a Present; Post-interview Maintenance; Self-evaluation; Networking: What's Next?; 10: Portfolio Presentation Techniques Do's and Don'ts; Do's; Don'ts; 11: Design-tech Résumés, Cvs, Business Cards, and Stationery"]
[{"$nulls":4},"Intent and Purpose of a Résumé"]
[null,null,null,"Sommario/riassunto","Your theatrical portfolio will earn a standing ovation with guidance from this industry expert!"]
[null,"3.","Record Nr.",null,"UNINA9910811307903321"]
[null,null,"Autore",null,"Leondar-Wright Betsy"]
[null,null,"Titolo",null,"Missing class : strengthening social movement groups by seeing class cultures / / Betsy Leondar-Wright"]
[null,null,"Pubbl/distr/stampa",null,"Ithaca, New York : , : ILR Press : , : Cornell University Press, , 2014"]
[{"$nulls":4},"©2014"]
[null,null,"ISBN",null,"0-8014-7070-6"]
[{"$nulls":4},"1-322-52258-8"]
[{"$nulls":4},"0-8014-7071-4"]
[null,null,"Descrizione fisica",null,"1 online resource (289 p.)"]
[null,null,"Disciplina",null,"303.48/40973"]
[null,null,"Soggetti",null,"Social classes - United States"]
[{"$nulls":4},"Social movements - United States"]
[{"$nulls":4},"Speech and social status - United States"]
[{"$nulls":4},"Class consciousness - United States"]
[{"$nulls":4},"Intercultural communication - United States"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Front matter -- Contents -- List of Tables and Figures -- List of Online Tables and Appendixes -- Introduction: Activist Class Cultures as a Key to Movement Building -- Part I. Class Diversity among Activists -- 1. Why Look through a Class Lens? Five Stories through Three Lenses -- 2. Applying Class Concepts to US Activists -- 3. Four Class Categories of Activists and Their Typical Group Troubles -- 4. Movement Traditions and Their Class-Cultural Troubles -- Part II. Activist Class Cultures and Solving Group Troubles -- 5. Where Is Everybody? Approaches to Recruitment and Group Cohesion -- 6. Activating the Inactive: Leadership and Group-Process Solutions That Backfire -- 7. Diversity Ironies: Clashing Antiracism Frames and Practices -- 8. Overtalkers: Coping with the Universal Pet Peeve -- 9. Activists Behaving Badly: Responses to Extreme Behavior Violations -- Acknowledgments -- Appendix: Methodology Notes -- Notes -- References -- Index"]
[null,null,null,"Sommario/riassunto","Many activists worry about the same few problems in their groups: low turnout, inactive members, conflicting views on racism, overtalking, and offensive violations of group norms. But in searching for solutions "]
[{"$nulls":4},"to these predictable and intractable troubles, progressive social movement groups overlook class culture differences. In Missing Class, Betsy Leondar-Wright uses a class-focused lens to show that members with different class life experiences tend to approach these problems differently. This perspective enables readers to envision new solutions that draw on the strengths of all class cultures to form the basis of stronger cross-class and multiracial movements. The first comprehensive empirical study of US activist class cultures, Missing Class looks at class dynamics in 25 groups that span the gamut of social movement organizations in the United States today, including the labor movement, grassroots community organizing, and groups working on global causes in the anarchist and progressive traditions. Leondar-Wright applies Pierre Bourdieu's theories of cultural capital and habitus to four class trajectories: lifelong working-class and poor; lifelong professional middle class; voluntarily downwardly mobile; and upwardly mobile. Compellingly written for both activists and social scientists, this book describes class differences in paths to activism, attitudes toward leadership, methods of conflict resolution, ways of using language, diversity practices, use of humor, methods of recruiting, and group process preferences. Too often, we miss class. Missing Class makes a persuasive case that seeing class culture differences could enable activists to strengthen their own groups and build more durable cross-class alliances for social justice."]